Clark Gregg (Robert Clark Gregg) Quotes
There's a different set of writers and a different director for the films, but Marvel has turned it into a pretty spectacular job.
Quotes to Explore
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Most actors can't make any kind of living.
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I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
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Being a model, you're always the product of somebody else's vision.
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To gain strength in our struggles, we must have a positive perspective of the principles in the plan of salvation. We must realize that we have a personal Savior whom we can trust and turn to in our times of need.
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Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
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I had to learn to not be so hard. And I had a wife and, at that time, a partner when Samori was born, and for most of Samori's life, a partner, who, for whatever reason, did not have to learn that and was very tender and very, very soft with him.
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In many films, as many different characters, I've killed many different people.
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When I was younger, I was insecure for about 10 years: I wore glasses, had a cow's lick, buck teeth and braces. I looked ridiculous.
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I don't understand why women journalists always ask women about motherhood? It's far more important and interesting for women to talk about their work, their thoughts, their creativity and their individual identity.
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More often than not, the experience of shooting the movie has been disappointing and the end product has been a mere shadow of what I hoped it would be. But immersing myself in the story - that's what I like best of all.
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All kids are selfish. I wanted to do homework and do my thing and call my agent. My mother's needs weren't in my mind at that moment.
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A man of knowledge lives by acting, not by thinking about acting.
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When I was writing 'Shotgun,' it's one of the first songs that's come to me as an image.
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I'm not a top-five player yet. Maybe I'm close to it, but I still have to work on some aspects. You can only be part of that group if you are decisive in the top games.
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Do I think Vince McMahon was looking at my matches in Japan going, 'We need him?' No. He wasn't. He's too busy. There's no way. But somebody may have been looking and going, 'All right, I like this guy. Let's give him a shot.'
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You've gotta share what's going on in your mind.
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As an actor, you have to give up all control to the director. He's the boss, and has all the power. I'm a control freak, so that's really hard for me.
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There's a certain amount of screwball and genius in 'Willy Wonka.'
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I would be writing an essay that was due in the next day until about 1 A.M., and then I would be up at 6 A.M. and on a train to Birmingham to record 'The Archers'. It was pretty intense.
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They did some things early on in there that threw us some curve balls. On defense, they did a real good coaching job on that part. We had to kind of struggle to get things going again, but we did control the ball, which is a big deal.
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What I think is different today is the lack of political connection between the black middle class and the increasing numbers of black people who are more impoverished than ever before.
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We are an immigrant nation.
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There's a different set of writers and a different director for the films, but Marvel has turned it into a pretty spectacular job.
