Claudius Quotes
Quotes to Explore
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I'm just a black hole for stuff. No one should ever hand me anything, because I get so easily distracted. I'll be like, 'Oh, look, something shiny!' I'm glad I never learned how to drive. I would be really dangerous.
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I've done comedy most of my career, which I love, but I wanted to expand.
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Organized labor, if they're doing a responsible job, is going to organize the pooling of small amounts of money to protect the interests of the people who are not rich.
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Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.
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If the script's good, everything you need is in there. I just try and feel it, and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorizing rather than being real. Maybe every other actor would think that was terrible, I don't know. But it seems to have worked for me, so far.
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Drama is easier to do because you just have to have the emotion and not get caught acting, but comedy is much harder.
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My father was an electrical contractor, while I used to deliver video cassettes on a cycle to people in Juhu and Bandra, including celebrities like Mithun Chakraborty. Mithunda remembers me and is very proud of me. He can't believe that the guy who used to come to his house in short pants has become so successful.
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Yes, I'm proud to be indigenous. I'm half-Quechua-Huachipaeri from Peru.
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I'm a child of the Women's Movement. I always believed that I could do anything. That women didn't have to be limited in any way.
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Have the courage to act instead of react.
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It is a great honor to become Executive Producer of 'Frontline.' David Fanning's mentorship and partnership over the past fifteen years has been extraordinary. I am inspired by his legacy and honored to guide 'Frontline's future.
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As a little kid, I climbed a lot of trees because I always loved the bird's-eye view.
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Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.
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The main characters for 'The Seer and the Sword' made an appearance one night and then haunted me for over five years before I began to write them down. Does that count as inspiration? For me, characters tend to show up, stay on to help with the work of writing their stories, and then occasionally deign to visit after a book is finished.
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Different directors offer you different things, and it's not necessarily the most obvious things.
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In trying to scramble out of a hole, it sometimes digs it deeper.
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I was very unsure about what I wanted to do in high school.
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Being good is just a matter of temperament in the end.
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When the target audience is American teenage kids, you can have problems. My generation prized really fine acting and writing. Sometimes you have to go back to the basic principles which underpin great visual comedy.
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You'd be surprised how young 25-year-old girls can sound when they want to scream. It isn't that young an audience, and it really frustrates me when I read the word "prepubescent" in my reviews. Even the ones that started following me with Wham! are in their late teens by now.
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I'm quite an advocate of free trade.
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I mean, it's the life lessons that I suppose you learn that nobody gets a free ride and that you do the best you can with the means that you can and try to open yourself to as much knowledge and all that that you can.
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For me, jazz offers so much freedom in the way the music can be interpreted. It's natural to me. It's where I feel most free.
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No one is free who does not lord over himself.
