Clemence Poesy Quotes
I am interested in costume. Clothes in your daily life are important: your choices say something about you, even if what they're saying is about non-choice. And what you wear in a film is crucial.
Quotes to Explore
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When I first got married to my husband, he had boxes full of photos of my two stepsons, ages 5 and 8 at the time, and I put them together in some little albums and wrote notes about how happy I was that they were a part of my life.
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I definitely want to work on a project with young designers, not just French but international.
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We're passing on something of ourselves to others. I feel that's what makes our life full of meaning. It's hard to have meaning in a closet, encapsulated by nothing. I think you really have to expand yourself and your life and do what you can for other people.
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We were like a white family from the 1920s or something. My parents had this bizarre, different way of looking at things from the people that surrounded us. I went to an all-Mexican grade school and an all-black high school, and not many people in those places liked the same stuff as me.
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I have a deep and ongoing love of Iceland, particular the landscape, and when writing 'Burial Rites,' I was constantly trying to see whether I could distill its extraordinary and ineffable qualities into a kind of poetry.
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I found it peculiar that those who wanted to take military action could - with 100 per cent certainty - know that the weapons existed and turn out to have zero knowledge of where they were.
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Whatever notoriety Fall Out Boy used to have prevents me from having the ability to start over from the bottom again.
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A lot of cats are not that social.
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I want to try everything.
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I think you don't do work for controversy alone, and whenever you do new work which people don't understand and they say it is done to create controversy.
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Men must turn square corners when they deal with the Government.
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I love gardening, and I love cooking. I love things like that. I love creating things.
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I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.
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I always used to watch 'Labyrinth' and 'The Neverending Story.' Those were like my two favorite movies that I would watch over and over and over again.
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I can't write if someone else is in the house, not even the cleaning woman.
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I would never want to be selected to a team just because I am going to set a record. It's critical to me to earn my way.
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I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
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There's no second chance on stage, and I was trained to make the most of my first chance.
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I have to recognize that my voice is attached to my body, which gets tired.
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I'm one of those actors who fall into the camp of never wanting to look at themselves on camera ever, thank you very much. I do not and will not, because I am my worst critic.
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I throw the ball ninety-two miles an hour, but they hit it back just as hard.
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I'm not really Type A, but A minus.
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I don't think that you can let the storms of life overwhelm you. When you do that, you are no better than the craziness that caused you to be under attack.
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I am interested in costume. Clothes in your daily life are important: your choices say something about you, even if what they're saying is about non-choice. And what you wear in a film is crucial.
