Clint Smith Quotes
If our principles are only our principles when it is convenient for us, when they align with our visceral emotional responses, then they are, in fact, not principles at all.
Quotes to Explore
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In terms of my involvement in 'don't ask, don't tell' and marriage equality and anti-bullying and social emotional learning in schools - these are all things that arise out of my relationship with the world and with my fans.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
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I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
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Shoes are very emotional. For women, they carry the message that you want to give to the world. One day you want to be sexy, or super powerful at your job - you wear a great pump. If you want to be on-the-go and running after your kids - you wear a great flat.
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Music to me is so internal. It's physical and it's emotional. Whereas fashion is so much about the external that it's almost like a break. It's not inner turmoil. It's total escapism.
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I'm pretty much a dinosaur in the studio. I like things hand-drawn, even today. The story artists use Cintiqs, but I'm the only person who hasn't completely converted to computers. I like the Cintiq, but there's something about the raw emotional power of using paper and pencil.
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No matter what's happening in the Middle East - the Arab Spring, et cetera, the economic challenges, high rates of unemployment - the emotional, critical issue is always the Israeli-Palestinian one.
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Hugs are helpful, especially when women step out into a mostly male political world. Emotional support, at critical moments, enables women to stay in the race.
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Honest people remember stories in the order of emotional prominence, but liars will recount a story in chronological order. Memory rarely works that way.
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Con men look for human frailty to exploit. This is most often greed. Trump found a different vice: anger. The emotional are always the most susceptible to manipulation.
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The Ewoks were definitely a challenge of writing 'The Jedi Doth Return.' After having done so many things with characters who don't speak English, how was I going to make them stand out? Jedi is also rich with emotional material, particularly Darth Vader's transformation from the dark side back to the good.
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The world is changing and the physical barriers are down now. It's time for the emotional barriers to go down. And what better place to start than school?
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Cinema is about people, and we are a very emotional people. That is why you see those ups and those downs and those colours. That is what Indian cinema is about.
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'Winner' is a commercial family entertainer with a strong emotional core. Teju couldn't hold back his tears after watching the movie. The horse race portions were mostly shot in Turkey.
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I was nine. I saw Orson Welles in 'Julius Caesar.' It was involving, emotional, imaginative. I've never forgotten it.
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Within the black community, roughly 60 percent of children are born to single moms. Moms don't have the emotional wherewithal to deal with their children. Their English is atrocious. Their speaking is atrocious. The dropout rate is horrendous.
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Trust is the most important part of a relationship, closely followed by communication. I think that if you have those two things, everything else falls into place - your affection, your emotional connection.
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TRUST took as its starting point the question, What would happen if a movie took the character of a teen-age girl seriously?.
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I felt like all of the work was training for just one central idea: Accept your child for who he is. I'm not saying that I've done a brilliant job with that. But I've done my best.
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I really don't want to make the same film twice, so I am conscious of going after material that is significantly different to anything I've done before.
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We've got to be delivering young people, and people that are getting reeducated, people who are getting reemployed, into the marketplace with skills to work together, to understand computers, and to be able to be a part of that 21st century economy.
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We should make a major financial commitment to improving our roads and bridges.
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If our principles are only our principles when it is convenient for us, when they align with our visceral emotional responses, then they are, in fact, not principles at all.
