Clyfford Still Quotes
I am not interested in illustrating my time. A man’s 'time' limits him; it does not truly liberate him. Our age – it is of science – of mechanism – of power and death. I see no point in adding to its mammoth arrogance the compliment of graphic homage.
Quotes to Explore
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Comedians take a neat situation and turn it into a mess. And in my books I do the same thing, but it's the other way around. I like to mess around with mess. A mess is only a mess because someone tells you it is.
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I am healthy and happy.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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I'm very English. I'm white. I mean, I'm so pale. With spray tans they start peeling and start getting really dirty looking.
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I used to have the very standard worldview. I can easily identify with people who see computers getting faster and smarter, and technology getting more and more beneficial, without seeing the other side.
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I do suspect that this world is hell.
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Despite my so-so-experience with the iPhone, I do love its touchscreen technology, a feature I miss with my standard-issue BlackBerry.
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I have a cousin called Flirta D who was big in the grime world, which made me really cool at school. 'Flirta D's your cousin?' 'Yeah, buddy.' 'He must be a millionaire!'
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It was really impossible to break through in Russia. We couldn't buy any balls. We really didn't have any courts, no rackets, nothing. And no people to practice with.
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The reason I was able to grow my business was that every day, after producing 30 minutes of wine television, I spent 15 hours a day replying to every single person's e-mail and every single person's Twitter @ reply.
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We do not have to accept the world as we find it. And we have a responsibility to leave our world a better place and never walk by on the other side of injustice.
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Intimate scenes on a movie set are just dry, bizarre things; people standing around.
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Stay calm and aggressive.
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I don't ever want to feel complacent.
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Men have looked upon the desert as barren land, the free holding of whoever chose; but in fact each hill and valley in it had a man who was its acknowledged owner and would quickly assert the right of his family or clan to it, against aggression.
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When I was 16 or 17, I started listening to Death Cab, and I started writing my own songs. I was writing alternative rock, and I had a seven-piece band. The shift was just iterations of experimentation and finding what sounded right. When I stumbled on the sound and vibe that I currently have, it was kind of by chance.
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My family are my friends.
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The cool thing about working and meeting a lot of people through your acting is that you never know who you might work with, in the future.
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I think anything goes in fiction as long as it fits within the interior logic of the work itself and is presented in a disciplined manner.
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I knew I wanted to be in music, but I didn't know my role, so I did everything from interning at Rolling Stone to writing heavy metal fanzines to playing in a high-school band, and I think all those things probably helped in a way.
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The best thing about animated-feature people is that they are very laid-back people. You feel like you're showing up for a backyard barbecue.
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Zeus had loved his old friend, and lifted him up, and set him among the stars as the constellation Sagittarius. Here, in the Zodiac, now above, now below the horizon, he assists in the regulation of our destinies, though in this latter time few living mortals cast their eyes respectfully toward Heaven, and fewer still sit as students to the stars.
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Few are sufficiently sensible of the importance of that economy in reading which selects, almost exclusively, the very first order of books. Why, except for some special reason, read an inferior book, at the very time you might be reading one of the highest order?
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I am not interested in illustrating my time. A man’s 'time' limits him; it does not truly liberate him. Our age – it is of science – of mechanism – of power and death. I see no point in adding to its mammoth arrogance the compliment of graphic homage.
