Ndamukong Suh Quotes
My job is to defeat the guy in front of me, do it until he quits, and then wait for them to send in the next guy.
Ndamukong Suh
Quotes to Explore
-
I grew up with Bond.
Taron Egerton
-
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
Cameron Crowe
-
It's definitely a necessity to make split-second decisions when you're doing gymnastics because things don't always go perfect.
Jacob Dalton
-
Sometimes I play guitar like a frustrated drummer.
Hal Sparks
-
I feel like I'm a New Yorker because I really know the city. I actually tell the drivers where to go - I have this bad habit, I always question the drivers. I do that all the time because I feel like I know the best way, when really it's like, 'Yo, man, shut up. This dude does this every day of his life.'
J. Cole
-
I got into sports because that was a way to prove your masculinity. I was good at it.
Caitlyn Jenner
-
I am 100 per cent Virgo, stubborn, over-organised, slightly abstracted from the rest of the world.
Paulo Coelho
-
I love a good steak. I like my meat. I love broccoli - it's one of my favorites - and corn, too. I mix it up with my vegetables.
Caroline Wozniacki
-
One of the pillars of 'Cyrano' is recreating a love story and, like any archetype, these great stories tend to be captivating, among other things, because they are made of those universal things that move us.
Edgar Ramirez
-
Wars, factions, and fighting, have no other origin than this same body and its lusts... We must set the soul free from it; we must behold things as they are. And having thus got rid of the foolishness of the body, we shall be pure and hold converse with the pure, and shall in our own selves have complete knowledge of the Incorruptible which is, I take it, no other than the very truth.
Socrates
-
In teaching an honors writing class, I juxtaposed Mary Shelley’s Frankenstein with Shelley Jackson’s Patchwork Girl, an electronic hypertext fiction written in proprietary Storyspace software. Since these were honors students, many of them had already read Frankenstein and were, moreover, practiced in close reading and literary analysis. When it came to digital reading, however, they were accustomed to the scanning and fast skimming typical of hyper reading; they therefore expected that it might take them, oh, half an hour to go through Jackson’s text. They were shocked when I told them a reasonable time to spend with Jackson’s text was about the time it would take them to read Frankenstein, say, ten hours or so. I divided them into teams and assigned a section of Jackson’s text to each team, telling them that I wanted them to discover all the lexias (i.e., blocks of digital text) in their section and warning them that the Storyspace software allows certain lexias to be hidden until others are read. Finally, I asked them to diagram interrelations between lexias, drawing on all three views that the Storyspace software enables. As a consequence, the students were not only required to read closely but also to analyze the narrative strategies Jackson uses to construct her text.
N. Katherine Hayles
-
My job is to defeat the guy in front of me, do it until he quits, and then wait for them to send in the next guy.
Ndamukong Suh
