Daryl Franklin Hohl (Daryl Hall) Quotes
When you're playing in front of people, everything is external. It's all going from you out to an audience. When you're in a studio, it's very internalised, it's going from the air through you into this meticulously crafted, layered piece of work.
Quotes to Explore
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When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.
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On the whole, it is the rights and freedoms of all citizens that are crucial in Saudi Arabia and from those the rights of women will emanate.
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I just enjoy life now. I just enjoy every morning I get to wake up.
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As an actor, you read so many scripts and parts written for Asian-specific characters, and you see a lot of stereotypes and a lot of one-note characters, especially in comedy.
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Christmas is, of course, the time to be home - in heart as well as body.
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Human technology has made it to Mars. We are transmitting gorgeous pictures from it. Yet we have not explored our own planet. Two-thirds of it is covered with oceans that are still mysterious places.
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There's nothing scarier than unlimited choices.
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People shouldn't have to spend a lot of money to get high-quality clothing.
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I like having a smaller family. I think the more people you have in the family, the more people there are to have problems with.
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You can say whatever you want about me, I'm not really bothered. But when it starts to upset people I care about or I hear about it from my mum, then that's a problem.
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Write for yourself. That's it. And write every day.
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I don't have a fear of aging or a fear of death.
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You have to be brave and not always play likeable people. It's difficult, because there's a demand for the hero or heroine to be very likeable.
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It's actually harder to write a fun song.
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Pride is pleasure arising from a man's thinking too highly of himself.
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I obtained eight years of elementary education in a two-room school, where I encountered a stern but engaging teacher who awakened my intellect with instruction that would seem rigorous today in many colleges. History figured large in the curriculum, exciting for me what was to become an enduring interest.
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We go after legacies because we just know that, sooner or later, people will understand what we bring to this culture and bring to the game.
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We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
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She tells me to 'live free and be free, but listen to other people's advice.' I listen, but I don't always follow it.
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You can spend the money on new housing for poor people and the homeless, or you can spend it on a football stadium or a golf course.
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I've been touted for my guacamole. I'll stand by my method. People have asked me to come to their home and prepare it. Restaurants have asked me about it.
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I live out of my van, which gives me a first-hand appreciation for power and lighting. A few years ago, I rebuilt the interior of my van to include solar panels and a battery that powers LEDs for lighting and allows me to charge my phone and laptop.
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When you're playing in front of people, everything is external. It's all going from you out to an audience. When you're in a studio, it's very internalised, it's going from the air through you into this meticulously crafted, layered piece of work.
