Ken Jeong Quotes
I think critics tend to think that comedy is freakin' math. Like, this is the Pythagorean Theorem. They're not sophisticated enough to know that comedy is fluid, that it evolves, and these organic evolutions are what you have to embrace.
Quotes to Explore
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If you want to put golf back on the front pages again, and you don't have a Bobby Jones or a Francis Ouimet handy, here's what you do: You send an aging Jack Nicklaus out in the last round of the Masters and let him kill more foreigners than a general named Eisenhower.
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When you play for one run, that's usually all you get. I have nothing against the bunt in its place, but most of the time, that place is in the bottom of a long-forgotten closet.
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I was born in the small town of Gorizia, Italy, on 31 March, 1934. My father was an electrical engineer at the local telephone company and my mother an elementary school teacher.
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When men are romantically interested in you, it's really simple. Just ignore everything they say and only pay attention to what they do.
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Of course on air I use occasional hyperbole to tell a story.
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Be realistic and truthful - and tell Hong Kong businessmen honestly that they should go for long-term investments since it is unlikely money can be made in the short haul.
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I always have to be writing.
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I don't throw my clothes out after one wear. Shocking, I know.
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But since I am in the music industry, I don't want anyone to download music, not on September 9th.
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I don't have a real home. When I got 'Avatar,' I sold everything that I owned because I knew it was going to be a long journey. I've got two bags, and that was four years ago, and I've been working ever since, and I've still only got two bags - a bag of books and a bag of clothes. That's about it.
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I don't want to be idealized by a patient because of what I've written.
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The triple is the most exciting play in baseball. Home runs win a lot of games, but I never understood why fans are so obsessed with them.
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We allowed ourselves to become particularly interested in research into the appearance of intermediate products of sugar decomposition during cell-free fermentation.
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I began to write in an enclosed, self-confident literary culture. The poet's life stood in a burnished light in the Ireland of that time. Poets were still poor, had little sponsored work, and could not depend on a sympathetic reaction to their poetry. But the idea of the poet was honored.
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I still can't quite believe it. Although there was something about the fact that it was a first-time writer, a first-time producer, and a first-time director all at the same time.
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I know I should keep this a secret, but Celine Dion is something of an icon to me.
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The youth need to be enabled to become job generators from job seekers.
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I get to enter into the world the director has created: to live these different lives on top of my own life.
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I've learned that no matter what shape you get your body into, if you don't get your head right, you're not going to feel good about yourself.
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When I was doing 'Spring Awakening' the first couple of years I was living in New York, I was gay, and I was living with my 'roommate,' who was my boyfriend but was my roommate to everyone else.
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Ultimately, when I go back to the stage, I want to be able to do everything. I want to be able to do music and comedy and all that stuff; that's what all this stuff is leading to.
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Before seeing Truffaut's Small Change, I was afraid it was going to be one of those simple, natural films about childhood which I generally try to avoid - I'm just not good enough to go to them. But this series of sketches on the general theme of the resilience of children turns out to be that rarity - a poetic comedy that's really funny.
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I don't think I can ever write about young kids anymore. I completely shot my wad there.
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I think critics tend to think that comedy is freakin' math. Like, this is the Pythagorean Theorem. They're not sophisticated enough to know that comedy is fluid, that it evolves, and these organic evolutions are what you have to embrace.
