Mariella Frostrup Quotes
Mixed messages are just part and parcel of the romantic terrain, and rather than berate yourself for any crossed wires, you'd do better to work on your future resilience.
Quotes to Explore
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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I don't understand why every guy is not a romantic. I enjoy it.
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If I can create some space that people haven't experienced before and if it stays with them or gives them a dream for the future, that's the kind of structure I seek to create.
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.
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I hope to work till I'm an old lady.
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Deficiency motivation doesn't work. It will lead to a life-long pursuit of try to fix me. Learn to appreciate what you have and where and who you are.
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You have another little drink, and I'll have another little drink, and maybe we can work up some real family feeling here.
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I want my job to include a little adventure, a little more of a heightened reality than what I'm actually living. And 'Castle' has that. He gets this opportunity to tail these homicide detectives, and he's driven by that. He's a little immature, but he's obviously loving life.
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Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
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I've always considered myself a fairly romantic person. I believe in love and falling in love at a young age.
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When you spend a lot of money on one player, you want him to prove himself, but the way football works, one day you can be good, the next you can be bad, and the next after that, you can be very bad. I have come to Manchester City to work very hard and to help my friends make Manchester City great.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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I had been feeling a little rum. I didn't think it was anything serious because years ago I felt a lump and it was benign. I assumed this would be too. It kind of takes the wind out of your sails, and I don't know what the future holds, if anything.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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The average American worker has fifty interruptions a day, of which seventy percent have nothing to do with work.
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What has 'The Patchwork Girl of Oz' got in its favor? Quite a lot, from our point of view in 2009. If you want to see how Oz's creator envisioned his own work, here it is.
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I'm part wood nymph. I require mountains and warm, dense patches of moss to thrive.
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People always say when they meet me that I'm not what they expect. I assume they think I'm this super dark and depressing guy, but I like to channel all of those emotions into my work.
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In the industry, you do need some ethics - if one film does well, then thousands get work and money comes back to the industry. I guess the bottomline is, if there are two versions, then the better one will click.
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The practical value of history is to throw the film of the past through the material projector of the present on to the screen of the future.
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Any society that is silencing its women has no future.
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The left has lost touch with popular opinion, thereby making it possible for the right to present itself as the party of common sense.
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Mixed messages are just part and parcel of the romantic terrain, and rather than berate yourself for any crossed wires, you'd do better to work on your future resilience.
