Graham Nash Quotes
We want to get this good music to as many people as possible because I think it heals, it soothes, I think music is incredibly important, especially in today's chaos.
Quotes to Explore
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There's nothing scarier than unlimited choices.
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I never underestimate my opponent, but I never underestimate my talents.
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The interaction between the two matters, but to me, each doesn't really exist independently of the other, so I'm not ever faced with a situation where the tone is wrong for the story, or the story wrong for the tone. They are two parts of one thing.
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When I was a little kid, I used to watch with my brother when there was Macho Man and Hulk Hogan. But then I fell out of it for a few years.
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I never really did any disco dancing.
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There isn't much discussion of ruling class in America even in Boston, probably one of the most class-conscious cities in the country?
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When you live in L.A., it is easy to stay fit, as the weather is amazing.
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My children didn't when they were little because I thought that they had to be of a certain age. I hoped they liked me well enough not to want to see me in that sort of a spot.
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Being an actress can be a little like being a girl in the '50s: You're stuck waiting by the phone, hoping that the boy you like will call.
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Death may simply be an alteration in consciousness, a transition for continued life in a nonmaterial form.
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I'm the girl who will show up in jeans no matter what - but the jeans can get fancier and fancier.
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I needed to purge myself of all the attention my parents had given me – I wasn't neglected enough as a child.
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I want to be a mayor who helped, really helped.
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I've had loss in my life, and I like to think my mother's energy lives on in some faintly Buddhist way. I do find some comfort there.
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A family is really a union of two separate entities. When you get married, you are marrying one family into another.
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Wait long enough, and people will surprise and impress you.
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I loved Allan Dwan. He was a tough old guy.
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By 1865, all Southern women - the happily and regrettably single, the perpetually engaged, the wives and widows - had tired of the war. The Confederacy was shrinking, and the morale of its remaining men shrinking with it.
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If you make a movie about Elizabeth I, how much of the dialogue is her real words? Audiences know when they go see a movie that it is fiction.
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The stage is our pulpit, and you can use all of that energy and that music and the lights and the colors and the sound. But you know, you've got to be careful.
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When you make a film, you sign a contract with somebody, and it's not only legally binding but morally binding. You agree to give this man a certain number of weeks of your life, and you just go for it as much as possible. Because, whatever happens, the film is going to come out, so you might as well try very hard to make it a good one.
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The people are grown very wild and loose in their morals.
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Pressure and stress is the common cold of the psyche.
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We want to get this good music to as many people as possible because I think it heals, it soothes, I think music is incredibly important, especially in today's chaos.
