Neil Cross Quotes
I find broadcast intensely stressful, to the extent that perversely, I've never seen anything I've written actually broadcast on television. So, the audience response is something which I became aware of gradually.
Quotes to Explore
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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The big bulk of the response to antidepressants is the placebo response.
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I don't have a director. The audience directs me.
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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The audience has always been my best director.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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Anytime you get an audience that's paying attention, you enjoy it more.
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My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
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If you're asking me in a general context whether I'm for or against the burkini, the response is simple: I oppose the burkini.
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The chemistry of a pair on screen is known only when the audience reacts to it.
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'Vicky Donor' proved that the audience was waiting for well-scripted funny films.
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Let an audience be able to find it themselves without spoonfeeding it.
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I feel the audience has a right to know if some of the money they're spending is going to a certain cause, and reassuring them the money is going to where it's supposed to be going.
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I think the US is in a terrible state of denial … Worse than that, we seem to be caught in a kind of Götterdämmerung response: we'd rather have the world go down in flames than change our lifestyle or admit we're wrong.
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When you don't talk down to your audience, then they can grow with you. I give them a lot of credit to be able to hang with me this long, because I've gone through a lot of changes, but they've allowed me to grow, and thus we can tackle some serious subjects and try to just be better human beings, all of us.
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It's the adrenaline rush you only get from being in front of an audience. It's addictive.
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He who stands with his face to the East in the morning will have the sun before him. If he does not change his posture, the Earth in the meantime having changed its, he will have the sun no longer before him, but behind.
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Everyone—whether straight, gay, lesbian, bisexual or transgender—should be allowed to show their true colors, and be accepted and loved for who they are.
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I find broadcast intensely stressful, to the extent that perversely, I've never seen anything I've written actually broadcast on television. So, the audience response is something which I became aware of gradually.
