Neil Cross Quotes
I find broadcast intensely stressful, to the extent that perversely, I've never seen anything I've written actually broadcast on television. So, the audience response is something which I became aware of gradually.
Quotes to Explore
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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The big bulk of the response to antidepressants is the placebo response.
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I don't have a director. The audience directs me.
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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The audience has always been my best director.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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Anytime you get an audience that's paying attention, you enjoy it more.
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My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
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If you're asking me in a general context whether I'm for or against the burkini, the response is simple: I oppose the burkini.
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The chemistry of a pair on screen is known only when the audience reacts to it.
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'Vicky Donor' proved that the audience was waiting for well-scripted funny films.
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Let an audience be able to find it themselves without spoonfeeding it.
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I feel the audience has a right to know if some of the money they're spending is going to a certain cause, and reassuring them the money is going to where it's supposed to be going.
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Call-and-response style, yes, exactly. So whenever different groups get together then there has to be this long period of negotiation. How will we worship? What's acceptable? What's not? If I want to say "Amen" can I?
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The matinee audiences are different because they're mostly kids, a great percentage kids. So they respond to everything differently, but I understand what they do respond to.
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It should be interesting to see two entirely different ways to treat a story, geared for two entirely different kinds of audience.
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Providence The will of God acting together with human will. But he respects our will absolutely. He does not force. Love never forces. It only invites. ... There is a war between good and
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One clear focus for everyone. Your business needs laser focus on what the next objective is. Execution is key.
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I find broadcast intensely stressful, to the extent that perversely, I've never seen anything I've written actually broadcast on television. So, the audience response is something which I became aware of gradually.
