Bajofondo Quotes
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Cumbia is a beautiful rhythm. It's a music that has indigenous, African and European components. It's played in all of America - from Argentina to the U.S. It has mutated and been nurtured by everyone who comes across it.
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Montevideo is a beautiful city with a very European style. It's a small city, but with a lot of cultural movement and a lot of personality. At the same time, it's a very chill city.
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One of the things that was a blessing for me is my parents were music lovers. Neither of my parents played an instrument, but they were avid record buyers. And I grew up at every age listening to all kinds of music.
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I started buying records in the '80s. I listened to everything new wave, disco, funk synth-pop, rock, but in my house we were listening to bossa nova, tango, and folk.
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The fact that I do so many things, it really nurtures me.
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With bad movies, I have this image in my head of the director and the editor in the editing room watching a scene that is not happening, looking at each other and saying, 'Put some music in there.'
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I grew up listening to everything. You know, from Argentinean folk music, tango, jazz, rock, just everything.
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I'm so proud to have work in this movie, "Brokeback Mountain," a movie that once again shows us that love is what makes us all very similar in spite that we can be so different, too.
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I have produced all kinds of music because I love all kinds of music.
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I love to get involved with projects that take me out of my comfort zone. I try to do things that are not necessarily what I'm used to. I always wanted to do a big animation movie and stick to the codes that this genre sometimes implies.
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It's always nice when your work is recognized.
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Film is something I've always loved since I was very young. In fact, I actually wanted to study to be a filmmaker when I was younger.
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Actually, my first group was a folkloric group, an Argentine folkloric group when I was 10. By the time I was 11 or 12 I started writing songs in English. And then after a while of writing these songs in English it came to me that there was no reason for me to sing in English because I lived in Argentina and also there was something important [about Spanish], so I started writing in Spanish.
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It's a deliberate choice. I am a fervent supporter of the idea that you don't have to have wall-to-wall music in good films.
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In the film work, I love to work mainly from the script and from talking to the directors, so a lot of the music, big portions of the scores that I've made, have been composed before the movies were even shot.
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I love playing instruments that I don't know how to play or am not familiar with. I like the idea of danger and innocence that comes from it. As an artist, I feel I should be able to do something with anything I get my hands on. The music becomes minimalist because of my limited knowledge.
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My parents were very musical in the sense that they were, you know, music lovers and avid buyers of records, but none of them actually play an instrument.
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I think my mom always wanted to play the guitar, and somehow she projected that to me. So I started learning to play guitar when I was five years old, but actually I'd never managed to get the academic side of it. So even up to today, I don't know how to read or write music.
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I have a very strong identity that connects me to Argentina and to Latin America, but at the same time, I have a deep connection to the music from the United States and music from Europe, too.
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My first band was an Argentinian folk group when I was 10. When I was 12 I had my electric guitar, and by the time I was 13, the Beatles came into the scene, and that was over. So I have a mixture of all these traditions, and I think that's who I am, a mixture of everything.