Musicians Quotes
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As musicians it's often difficult. You go to a dinner party and most people treat you like some kind of exotic animal and in a way like you don't have any problems and that it's all fantastic and glamorous and that you wake up in the morning, you kick the groupies out of bed, you roll onto the floor onto a needle, right, which fills you with a lovely substance, you roll into the gutter and you stare at the moon and out comes beautiful poetry. The fact of the matter is that that's nonsense. It's a lot of hard work.
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I like to play with people who can play simple and are not threatened by other musicians thinking they can't play. And that eliminates 99 percent of the musicians.
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To all the musicians who are making reggaeton, let's put some more effort into it and bring something new to the people!
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John Coltrane is still probably one of the greatest musicians of this century. His tone truly puts demons on a leash. His gift is directly from the mind of God and is very powerful. ..... The first time I heard a Love Supreme, it was really an assault. It could've been from mars as far as i was concerned, or another galaxy. I remember the album cover and the name, but the music didn't fit into the patterns of my brain at that point. It was like someone trying to tell a monkey about spirituality or computers, you know, it just didn't compute.
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It's funny, there aren't too many musicians that also moonlight as studio engineers. There's a few - the really brilliant ones.
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Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
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There are so many different musicians I look up to for different reasons - from hip-hop to rock to pop. Some are Alanis Morissette, Michael Jackson, Aerosmith, Pink, Avril Lavigne, Beyonce, Lil Wayne.
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It feels like we've grown enough as musicians over the last few years to go new places, and our conceptual and compositional abilities have developed along with it, so we're pushing all the envelopes we can at the same time and it still feels like cutting edge work to us. It seems to resonate with people.
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I work with musicians whose opinions I respect and if they don't like something they don't hold back. They'll say, 'That really sucks' and 'You've lost it' and 'You're no good anymore.' And I crawl away with my tail between my legs and I fear that kind of ridicule, but I want them to like the music I'm bringing to them.
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My downfall emotionally is musicians and songwriters.
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Many of the jazz musicians whom are no longer here. You don't realize that it's history when it is happening and then time passes and you look at a picture and you say "Wow, there is history attached to that."
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I think all musicians and producers, they know the real goal is to come up with a record that is entertaining and not boring, that's the goal. I think if everyone agrees that that's the goal then it doesn't matter who's the band and it doesn't matter who's the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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The charm of the Replacements is that we’re not the greatest musicians on the planet, we’re a great f—ing rock’n’roll band.
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Some performers are brilliant comedians, some are genius musicians, and some just make you happy to be alive. THE BOBS are all of that - and then some.
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I started taking piano lessons when I was about four years old. My parents were both musicians. So I took piano lessons. I didn't like the lessons very much, but I was enchanted by music. Music always transported me somewhere. Singing made feel good and being able to play the piano made me feel good.
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As for style, there is something about the way musicians dress-they seem to be able to create their own world within their fashion alone.
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We're musicians; we're not politicians or anything.
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I've been really lucky as far as the caliber of musicians I've been able to work with each time.
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I was co-editor of the magazine called The Jazz Review, which was a pioneering magazine because it was the only magazine, then or now, in which all the articles were written by musicians, by jazz men. They had been laboring for years under the stereotype that they weren't very articulate except when they picked up their horn.
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There's no reason to stop. Who knows what's around the bend? To participate, meet new people. It's mostly other musicians and people like you, or anybody I meet who's in this, that keeps me going.
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This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.
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If you're trying to connect to people with music - it's more of an outward process and a lot of times musicians can be very inward.
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Some musicians are not great technicians, but they give you a rich point of view.
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There are more bad musicians than there is bad music.
