Band Quotes
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I'm doing the best I can with what I got and that's all anybody in my band is doing.
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We've won both the best and worst band in so many major magazines - we just get written off so much, but we don't care.
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I was always taught as a kid that if there's anything you want in life, you've got to work towards it. I guess that sort of stayed with me, really. But also, for me, from the time I was, like, 10 years old, all I ever wanted to do was be in a band and make music.
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The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.
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The Thing of the idols, the green, sticky spawn of the stars, had awaked to claim his own. The stars were right again, and what an age-old cult had failed to do by design, a band of innocent sailors had done by accident. After vigintillions of years great Cthulhu was loose again, and ravening for delight.
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Even now, when I try and think of band names just randomly, I'm so thankful that 'fun.' is the name of the band. I never really think twice about it. It is so simple and so easy.
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Cobain the writer is funny and self-aware and snotty with a knack for off-the-cuff profundity. Remarking to a friend that his band will be called 'Nirvana,' he scribbles next to it the words 'Oooh eerie mystical doom.'
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We were never a frivolous band; we prided ourselves on having something to say, and I think that's what gives your songs longevity.
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I knew I wanted to be in music, but I didn't know my role, so I did everything from interning at Rolling Stone to writing heavy metal fanzines to playing in a high-school band, and I think all those things probably helped in a way.
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We have as many audiences as we have phases of our career. And all of us are older now. We've grown in different directions, so that the result is a band that's sometimes a little scattered -- just like it was with the original version of the band, really. ... All Chicago albums are stylistically all over the map, and that's a good thing. We can play to anyone.
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System of a Down is the music that I wanted to buy but couldn't find at the store. It's the band I wanted to be a fan of.
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I played the tuba in high school. I wanted to be a member of the marching band. I thought, what can I play that has the most effect? What can I play to get people to laugh?
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If you come on a band tense, you're going to play tense. If you come a little bit foolish, act just a little bit foolish, and let yourself go, better ideas will come.
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Both of us knew the band had run its course. We were both unhappy doing it, but I think the way Andrew Ridgeley was being treated as the less important half of the duo had finally taken its toll on him.
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Being in a band is always a compromise. Provided that the balance is good, what you lose in compromise, you gain by collaboration.
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I think partly the problem with Yes - and I've had this discussion with people from the Hall of Fame in the past - is that it's going to be difficult to decide how many of the members of Yes you're gonna put in it and how many you're not because of the extensive membership of the band through the years.
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For 24 hours a day, for 10 years, all I thought about was being in a band. That's all I did. I had no other social life. I don't want my life to be like that now. I've spent the past 10 years having a real life as well. But Spandau Ballet is such a difficult shadow to outrun.
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I grew up listening to The Band. I love Lowell George. I love Little Feat, and I was listening to some Springsteen, some of the deep album cuts. I just like the looseness of that kind of music. It all feels like they did it in one take. They let whatever happened happen. If it felt good, they kept it.
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During the last regular session and the most recent special session, measures that I see as little more than Band-Aids were applied to three health programs in the state.
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I don't think when I'm doing music. Things just happen. I've even taken my clothes off while performing. But then I'm so shy that I can't even take my clothes off in the dressing room, even though it's just the other guys in the band in here with me. It's really weird.
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I'm spoiled - in all ways. I've been in a rock 'n' roll band since I was 13, and we had incredible success. When it ended, it had been so good that I just looked at it as time to try something different.
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My sister and I shared a bedroom our entire lives and I believe she discovered the Beatles when she was about 11 and I'm four years younger. So from the age of 7 until 17 we had nothing but Beatles paraphernalia in our room, even those little stuffed Beatles that went on stands that are dressed as the Sgt. Pepper band.
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After a post-Bill Berry softening with albums like 'Up' and 'Reveal,' R.E.M. seems to be toughening up again; on the strength of the first single, 'Discoverer,' the band's new record looks to continue with the same muscular rock and roll that defined its last album, 'Accelerate.'
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We're real people and we're a band that's been playing on the scene for a long time. We've made a lot of friends, and one enemy we've always had was the NME. They've always basically slated us and they've basically never ever written about the music.
