Band Quotes
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Obviously, any living musician born after 1960 has been touched by rock and roll. It's the music of our time, and it's 'in the air,' as Steve Reich would say. My experience of it is just really direct because I'm actually playing in a collaborative band.
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We use a neck training machine where you can strengthen the muscles, going front to back, side to side. You can also connect a big resistance band to a wall or something and do the exercise like that.
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Sometimes the band can't fully hear your fill, so they come in differently. So I've also learned not to really step out too much, because you sacrifice the band when you do that.
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Like even the band before Milky Chance, we always wrote in English, but it’s awesome and natural in the way that we listen to a lot of English music always more than German definitely. And it’s just kind of you do what you listen to.
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Like when I'm singing live I can't hear myself. I'm just listening to the rest of the band. To listen to my voice, it doesn't even feel like it's me.
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The band broke up because I couldn't bear Rotten anymore because he was an embarrassment with his silly hats and his, like, shabby, dirty, nasty looking appearance.
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We're a pop art band. Not a pop band.
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I never thought for one second I'd be able to play with a real band. When I was in high school, I went through a lot of bad treatment and was called a lot of names by boys because I wanted to play. Sly was different.
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My idea was to release four four-song EPs, just like all the old Limey shoegaze bands used to do.
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I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.
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I couldn't imagine what it's like to be a journalist talking about music. You're left with empty descriptions; you probably have to make up a sort of weird cocktail of band influences and references to other music to get your point across.
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I know there's bands that might write something that sounds like The Smiths, and they'll go, 'Oh, it sounds like The Smiths, we've got to make it sound not like The Smiths.'
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So, Hanson, which one of you boys is coming home with me tonight? (greeting the band Hanson)
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Every rock'n'roll band I know, guys with long hair and tattoos, plays golf now.
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Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'
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The best part was watching Journey grow into this monster. The band was huge, playing these enormous gigs.
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And there was no money in Chicago for a band.
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I'm in a band, and I know exactly who those girls are. I know exactly what goes on backstage. I wish I had a little leash to walk him around.
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I therefore consider it a great privilege to be part of a band who, as a fan, I have watched grown from young hopefuls to a bona fide rock institution.
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All the classic bands that have been around forever, they came up gradually.
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And I've played piano since I was little, so I was originally the piano player in the band.
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I was a really crazy kid. I'm still a crazy kid. That's the nice thing about being in a rock band. You can feel 14 forever.
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I had to seal off my feelings about Stevie while seeing her every day and having to help her, too. But you get on with it. What was happening to the band was much bigger than any of that.
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I'd like to be in a man band, but with Paul McCartney, Ringo Starr and Keith Richards. We'd have a rocky edge.
