Listening Quotes
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The paradox of Steve Jobs's career is that he had no interest in listening to consumers - he was famously dismissive of market research - yet nonetheless had an amazing sense of what consumers actually wanted.
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I grew up watching the films of 'Carousel' and 'Oklahoma' and 'The Music Man' and 'My Fair Lady' - all the classic musicals of that golden era, The sort of more modern musical theater, or what was modern when I was at a ripe teenage age, I wasn't really listening to that stuff. I was really more raised on the classics.
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Before I was 5, I did have a lot of time on my hands. I had no job and really no career, and I spent an awful lot of time listening to records. It was more the classical ones, really - Prokofiev, and I think there was some Mozart in there, and more impressionistic composers like Delius.
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Seeing Jennifer Holliday from 'Dreamgirls' perform on the Tony Awards telecast and later discovering Barbra Streisand by listening to her albums at the Carnegie Library in Pittsburgh really changed everything for me.
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Here in the West, people often don't like listening to their leaders, even if they are right.
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With head upraised, and look intent,And eye and ear attentive bent,And locks flung back, and lips apart,Like monument of Grecian art,In listening mood, she seemed to stand,The guardian Naiad of the strand.
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Listening is the key to everything good in music.
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One of the most sincere forms of respect is actually listening to what another has to say.
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IM is interesting because you look at your buddy list and, at a glance, see what your friends are listening to, what they're working on, what they're doing. The problem was that you were bound to the computer keyboard.
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As a kid, my parents had the typical stuff going on in the home, like Bee Gees, The Carpenters. Then I got exposed to what my brothers were listening to: a lot of classic rock, Led Zeppelin. It was around the mid-'80s when the whole Electro-Techno-Pop-House music thing started happening in Chicago.
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I never listened to the Grateful Dead as a teen; the only exposure I got was what came through the walls when my sister was listening to them.
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If I'm made to pick one transcendent reading experience, then it was listening to Miss Sarzin as - if we'd been very, very good - she read the next chapter of 'The Hobbit' aloud to us.
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My sister and I are pretty dorky, so we drive around at night in her car listening to old Disney songs and feed the coyotes cans of wet cat food, which I'm sure is a terrible idea. Meanwhile, 'Cinderella' and 'Sleeping Beauty' showtunes are playing in the background.
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I'm saying: to be continued, until we meet again. Meanwhile, keep on listening and tapping your feet.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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We try to keep a good line of communication open with our children. It's not always about trying to just teach them every moment, but it's about listening to them and trying to understand them and gain that sense of communication so when they need to talk to someone, they know that we're there.
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I have such an eclectic taste. I like listening to classical music and pop music.
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I promised myself that I'd never actually admit to listening to 'New Kids on the Block.'
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We grew up listening to music like that: we grew up on the snap music, grew up off the trap music, grew up on all the South sound.
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If you wanted to make a film about British teenagers, it would be... well, it wouldn't interest me; let's put it like that. They'd be listening to music I hate, watching TV all the time, and talking about 'Big Brother.'
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To me, country music is like the blues, but it's something very hip and - I don't want to say commercial - but it's very worldly and good listening.
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I spend several years trying to get inside the brain and heart of my subjects, listening to the interior monologues in their letters, and when I have to bridge the chasms between the factual evidence, I try to make an intuitive leap through the eyes and motivation of the person I'm writing about.
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Write what you want to write, write what people want to hear, and write about what they're going through, because if you could connect with the people who are listening to your music and coming to your concerts and coming to your meet and greets, then you're doing your job well.
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I do not want to be bored listening to music that is muffled and known only to the poet himself.
