Me Quotes
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I started working with Timely in 1946. Stan Lee hired me.
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For me, the source material can come from anywhere. It can be a poem, it can be a dream, it can be a movie, as long as the end part of it is interesting - that's what it's about for me.
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I always thought of it like, 'What can my body do for me?' and not, 'How do I look?'
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It's valuable to me as an artist and actor to explore all kinds of outlets. So if a local filmmaker in Milwaukee had a good story, I'd be part of it in a second.
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For me, juicing isn't about binging and cleansing; I try to incorporate it into a balanced diet.
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The cool thing about my show and me is that I'm a writer, and I'm a writer first if I don't have music.
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I do have a fantasy piece of technology that would do my food shopping for me, and if you wanted to, you could probably employ a butler or a maid. But I'd like to have a fridge that restocks itself. I don't know what you'd call that - an automatic restocking pantry?
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There are some different things I'm writing and developing, but I don't know where they'll go. They're fun stuff that I would be in and are written in my voice, for me.
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Chelsea have made a good investment for me, but I did not put any pressure on them.
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I was teased if I brought my books home. I would take a paper bag to the library and put the books in the bag and bring them home. Not that I was that concerned about them teasing me - because I would hit them in a heartbeat. But I felt a little ashamed, having books.
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Blood and death. That moves me.
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We are a breathtakingly alienated people... One of my props is the world's largest underpants. I've had the president of Costa Rica in my underpants with me.
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Combining sounds that are from another universe with the classic songwriting structures never gets old for me.
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There's nobody in the world like me. I think every decade has an iconic blonde, like Marilyn Monroe or Princess Diana and, right now, I'm that icon.
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My old man tried to force on me a notion of what it was to be a 'man.' And it destroyed my dad.
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In N.Y.C., I auditioned for mostly 'quirky friend' roles. Since casting directors in L.A. lacked a preconceived notion of me, I was able to reinvent my type a bit, which was essential in booking the role of Amanda on 'Ugly Betty.' I don't believe I would have auditioned for that role in N.Y.
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Sergio Leone was a big influence on me because of the spaghetti westerns.
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For me, art is always a kind of theater.
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Flowers die and wine gets consumed. Both are lovely. I appreciate both. Wine and roses. I actually had someone bring me a lobe of foie gras once.
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People, including me, can get so detached from everything, but when you can focus on a defined place, a home, it gets you back in touch.
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In college, I had a crush on one of my professors. I used to bat my eyelashes and coo at him. He didn't respond at all, which made me like him even more.
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Snake has been everything to me. Look at where I was when I started with the company in 1988 and where I'm at now. I mean, he's shown me just about everything on and off the race track.
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I don't want to think that anything is off limits for me to write about, but I also don't want to intrude on anybody's life, which is why there's very little specificity or names in the songs I write.
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A few friends and me used to go and watch Bunuel, Carne, Cocteau... Cocteau and Bunuel were surrealism. And I was very excited by that. 'Un Chien Andalou', especially.
