Me Quotes
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I distrust thought. The interior life is highly overrated. I don't like the wispy and the vague... or inductive logic in any kind of writing. I'm impatient with writers who make too much sense. The better things that I've done have come to me by instinct.
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I think it helps me. You know, I've got two more meets under my belt, and that's always a good thing.
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There are people who will appreciate what I've done, and there will be people who will criticize me. Ultimately history will have the final say.
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Flowers die and wine gets consumed. Both are lovely. I appreciate both. Wine and roses. I actually had someone bring me a lobe of foie gras once.
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I believe in working with songs that have personal value for me.
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I'm going through a stage where the dumbest things make me bawl. I feel like I need to see a shrink.
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It would never occur to me to judge anyone.
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I want to try doing sportier things, kite surfing and paddle surfing - I think it would give me that extra confidence.
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Ice Cube is the piece of me that I give away to the public.
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My character, Rick Spleen, is a what-if version of me, really, where nothing did quite turn out right and everything else is still around the corner.
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I don't want to be the next anyone. I just want to be me, now. And that means all different things.
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I want to say thanks to the Chelsea fans because I have seen them very, very happy with me for joining Chelsea.
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The call that always seemed the toughest to me was the slide and tag play at second. You can see it coming, but you don't know which way the runner is going to slide, where the throw is going to be, and how the fielder is going to take the throw.
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There was a little bit of ham in me. And there's a lot of people say there's a lot of ham in me.
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For me, it's all about smaller character-driven pieces, about finding a person that I connect with and that I'm interested in bringing to life.
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It's weird, but I don't feel like think I deserve any of the attention. There's really nothing but one audition for a Disney Channel movie that separates me from 2,000 other brown-haired, blue-eyed guys in L.A., you know?
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When I was younger, of course I had people act inappropriately to me. I've had certain directors yell at me. But I didn't stand for it, and I didn't let it go far enough for it to be in any way abusive to me.
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With 'Eagle of the Ninth,' every shot was extremely planned and organized. The director was like, 'Do this!' And I say, 'How was it?' and he says, 'Good.' It was very odd. I would never know where he was headed, or even if he was shooting me at a close-up or from a distance.
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I can't stand my legs, for a start, and you rarely see me in skirts.
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I wouldn't know a space-time continuum or warp core breach if they got into bed with me.
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I think service is honorable, and that was always inculcated in me.
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As with the subjects in all of my films, the incentive is left to the subject to determine on their own. I never ask someone why they say yes to me. After all, if you invited someone to join you for dinner, and they accepted your invitation, your next question wouldn't be, 'Why are you saying yes?'
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Why marry? If you're not married, you just leave each other and it's cool. Who needs the paper? To me it means nothing.
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My father was from the South and turned me into a news junkie at a very early age. I would sit and watch TV with him.
