Character Quotes
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I've never had as much success as when I say to myself, 'I get that. I know what the feelings that that character would be going through would be like. I can feel a through line from beginning to end.'
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When I do a character, I try to base it on someone I have met or an experience I've had.
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For me it's even more interesting, because my character comes out of the shadow. It's a chance to really act emotionally, because the situation is an extreme one.
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My first audition happened to be for 'Kindergarten Cop,' and I took that role. I was only starting to learn English at that point. Spanish is my first language, so they made me a speaking character in the movie. I didn't really know I was shooting a movie. I was just having a lot of fun with 30 kids my own age.
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There's something weird about the Scots. We are a troubled, slightly tortured race - the sense of the respectable outward character and, inside, the turmoil of something darker.
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Anyone can die. Rule number one is don't get too attached to a character, anyone can go.
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There's a whole element of human interaction and character interaction that I really enjoy doing.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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Shoes for men are about elegance or wealth; they are not playing with the inner character.
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I feel very lucky 'Arrested Development' was so successful because I never really got too much attention, and I was able to evolve instead of only being seen as one character.
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I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.
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I try genuinely, when I'm playing a character, to not judge them and just to inhabit someone as how one sees them. That being said, you also want to make sure that you don't blur the edges of people too much because humans are naughty and complicated beings.
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See failures as learning experiences, not character faults.
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There's a very old tradition of theater actors doing their own makeup. It's like putting on your mask. There's an element of storytelling involved in it - you put on your character when you put on your makeup. At least, that's how I like to look at it.
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In the theater, it's a visceral and physical response because you move around so much. You have to do something physical to pull you in. On TV or in movies, everything is so small. You can just lock into a character and ease yourself into that way.
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When someone gets closely related to a character they play on TV, it's very hard to break that mold and go on to do something else.
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After 'Jessica Jones' came out, I started hearing firsthand from a lot of women who were so inspired by the character, who felt represented, who felt like watching Jessica on screen helped them in their own lives. Women are devouring content like that because everybody is complicated; not everybody is one thing.
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I still wear my trousers baggy as I did in my teens. But in a different way. I've loved trainers since my youth - limited edition, vintage, whatever. You could recognise people and judge their character through their trainers. I'm a Nike man.
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It's really important to stay engaged and involved in the character.
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I have to be honest with you: When the FBI let me out of prison early to advise the agency on preventing fraud, I wasn't a changed person. I wasn't rehabilitated. But when I started working with the FBI, one of the most ethical groups of men and women in the world, I couldn't help but have some of that character rub off on me.
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You get the part, sign the contract and start to realize millions of people follow this guy and know more about your character than you do.
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I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
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I feel that discussing story-writing in terms of plot, character, and theme is like trying to describe the expression on a face by saying where the eyes, nose, and mouth are.
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We all pretend, we all hide things, so why not take the concept to an extreme? That is the basic idea for the character of Dexter. Pretend to be human, while quietly and carefully living out the life of a monster on the side.
