Character Quotes
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It's actually meditative to sit in a character for an extended period of time, realizing what your relationship is to who you're playing and then letting go, just being there.
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In every character that you play... I mean, I don't think I'll ever be the type of actor or performer per se who transforms, you know? Like Claire Danes transforms into Temple Grandin - I'm not gonna do that.
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I like all of the books I work on to be ones you can pick up without knowing the entire history of the character, because then, not only can you enjoy it as is, but it encourages you to look into the history of that character and their world.
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Almost all our suffering is the product of our thoughts. We spend nearly every moment of our lives lost in thought, and hostage to the character of those thoughts. You can break this spell, but it takes training just like it takes training to defend yourself against a physical assault.
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Twenty years ago my parents wouldn't know who the X-Men were, and now everybody knows that stuff. It means that deconstruction of the superhero is something you can do. All those movies have led to a point where we can finally have 'Watchmen' with a Superman character who doesn't want to save the world and a Batman who has trouble in bed.
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Our character is what we do when we think no one is looking.
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When someone gets closely related to a character they play on TV, it's very hard to break that mold and go on to do something else.
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I did a movie with Leonardo DiCaprio, and his skill level was eons ahead of mine. It was really more like an abattoir - he just slaughtered my character over and over again.
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I don't know, a lot of people go crazy about 'Breaking Bad,' but I don't like the soap opera aspect of it and only following one character. I like the context to all of it, all the pieces, like 'The Wire.' It's more about the state of things; it's not about the narrative of a person.
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It has to be really interesting for me to perform the same role for 365 days non-stop. It becomes taxing for an actor to perform the same character for 12 hours every day, and then, after a point, there's no growth.
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I played this character twice in live action, and now I've become an animated character. It was actually fun to see myself drawn - I've never been a drawn character before.
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Some actors - myself included - like to know where your character's going: you like to know what the arc is for the character so that you can plan where you're going to give beats for this, that, and the other and give the audience what they want. But on 'Homeland,' you do the opposite.
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We all pretend, we all hide things, so why not take the concept to an extreme? That is the basic idea for the character of Dexter. Pretend to be human, while quietly and carefully living out the life of a monster on the side.
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For me it's even more interesting, because my character comes out of the shadow. It's a chance to really act emotionally, because the situation is an extreme one.
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My job as the actress playing Hanna Schmitz, as the actress playing any part, is to understand the character, and to ultimately love the character. And I did love Hanna, absolutely, because I understood her as profoundly as I did at the end of the day.
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Shoes for men are about elegance or wealth; they are not playing with the inner character.
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Both Self-restraint and Unrestraint are a matter of extremes as compared with the character of the mass of mankind; the restrained man shows more and the unrestrained man less steadfastness than most men are capable of.
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I think about everything first. I think about the scenario: the story and the characters, what I'm trying to say and I'll think about that for a couple of days until it's all locked in and then when I get to an instrument it'll just fall out. But the song's kind of all ready there in my head.
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See failures as learning experiences, not character faults.
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Though intelligence is powerless to modify character, it is a dab hand at finding euphemisms for its weaknesses.
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The script that I fell in love with and adored was 'Jane the Virgin'... but every line in the pilot was essentially, 'Why did you keep my daughter a secret all of these years?' I didn't know any direction my character was going - was it going to be a dramatic character, a comedic character? - I didn't know.
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In my mind, every single female character I've written is plus-size.
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My character Saurabh Singhania is a rich, bad guy who is driven by revenge, so much that you feel like scratching his face or throwing stones at him. The intimate scenes in the trailer are creating quite a buzz... I wish they had shown more of the story instead of the sizzling scenes. The film is not about boldness or intimacy.
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Every so often when I'm writing, a character might actually be a distinct person in my head - often not an actor or a face, literally a person who just seems to exist in my imagination. Then the challenge is finding somebody who is close enough to that to make me feel like I've ended up where I wanted to be.
