Character Quotes
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Anne Boleyn is certainly the most exciting character I have played on stage.
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I would say that it's mainly about the director. It's a hard quality to find, but I always know whether I want to do something or not. The character is important to me, as is getting to work with people that I feel like I can learn from and make a great movie with.
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The doctors say it dates back to a film where I had these huge prosthetic breasts because my character was breast-feeding. The weight of them, and of the baby, did my back in.
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To play a character is to inhabit the world and the life of that character.
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The job's always the same. It involves helping to tell the story and creating an alloy between character and story that serves the film.
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The highest point of Christian experience is to press forward. It is a distinguishing trait in the character of every good man that he grows in grace. Grace in the heart as certainly improves and advances, as a tree thrives in a kindly and well watered soil.
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I guess you can say that every actor is a 'character actor' on some level. But I think some actors have a wider range. I think that's how you get that mantle.
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One thing that I love about 'Difficult People' is that Julie Klausner and our showrunner, Scott King, have written the lead character I play as a fully formed man.
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I create a playlist for each and every character that I play.
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But there's the paradox of fiction - why do you cry when a fake character dies? It's the basis of art. You engage with people who don't exist and care about them as you would your friends and relatives.
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I think the very idea of character, of developing not just grit, but empathy and curiosity, emotional intelligence - you know, the things that I want my own daughters to develop - the idea that we're going to get there through rewards and punishments seems completely at odds with the idea of character itself.
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I love Helena Bonham Carter because every character that she portrays, she's just something completely different. And she has that quirky factor that she just owns.
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My character Esteban is a guy who really didn't think he was gonna be there at this point in his life. He's in his early 30s. He's got a son. He's raising his son as a single father.
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If you're writing a book that takes place in New York in the moment, you can't not write about 9-11; you can't not integrate it. My main character's view is the Statue of Liberty and the Trade Center. It doesn't have to take over, but it has to be acknowledged.
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Sometimes I will read the whole script just to see what my character is doing, but I won't touch a script that I'm not in because it's just so much more exciting as a fan to me to watch the show as it's happening.
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There's an institution here called the National Sound Archive, and there's a character who works there, Paul Wilson. He takes a very special interest in the history of the music and advised Martin Davidson of the existence of these tapes.
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Family dramas are tough, as a playwright. Most stories are about characters going on a trip or a new character coming to town, because that's how you learn information about them. But with family, they all know each other already. There's years of history in every interaction.
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Most good fiction also has a character the writer seems to know more deeply than anyone can actually be known in life, but a few unusual writers can make something great without that.
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Helen Lowe writes wonderful stories, yes, but her work also speaks with lyricism to deeper questions of how we treat each other. With lovely prose that brings vivid life to her characters, she creates a universe with people we care about. This is an author with a gift for fantasy.
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I fell in love with Crawford because when she was twenty or twenty five, she would dance and talk and sing and do the things that Peppy's character needs to do.
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There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.
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A sum of money is a leading character in this tale about people, just as a sum of honey might properly be a leading character in a tale about bees.
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Men best show their character in trifles, where they are not on their guard. It is in the simplest habits, that we often see the boundless egotism which pays no regard to the feelings of others and denies nothing to itself.
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I felt so much when I was fifteen, sixteen, seventeen, I felt everything. I didn't understand [myself], I was so happy yet so angry and sad. That was the point when I realized that I needed to tell stories and make characters come alive and I needed to make people cry, and make people angry, and make people happy, and make them laugh.
