Guy Quotes
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I followed a guy to Denmark. I came home with a broken heart.
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When you think about little league football, high school, and even on to college even more so, you're dealing with a lot of guys that are prideful, that think they're the best - a lot of alpha males. So, typically, you've got to have a guy that can control those guys, and, when he talks, they know he means business. He's a serious guy.
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I usually write very few stage directions. I think a lot of that is a waste of time. The art of screenwriting is in its terseness, saying a lot with a little. I have no patience when I read a script where the writer describes this guy and what he's wearing and his glasses and his hair.
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The good and wonderful thing about my whole career is that I've always felt that the audience, if I do it well, will track wherever I go, whether it's President or a lawyer or bad guy or good. All I have to do is execute the material enough where they buy into it. I've had the great luxury of the audiences accepting that.
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They love you when you're doing well and hate you when you're the bad guy.
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Playing a bad guy is always a freeing experience, because you don't have the same envelope of restrictions as you have playing a good guy. Good guys restrain themselves; they kind of have their moral fiber cut out for them in varying degrees.
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He's been seasoned, ... Hopefully we've got a young guy who's on the come.
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If I existed 200 years ago, all the other farmers in my community would be like, 'That guy is worthless! He's sitting on a rock, jumping up like a frog, coming up with weird concepts and ideas, making faces, and combing his hair into a giant pastry.' It's a good thing I was born in this century, when superfluous television seems to be part of the economy.
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I've never been a show horse or particularly charismatic. I'm just the guy who gets up and works hard every day.
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Recently I heard a 'wise guy' story that I had a party at my home for twenty-five men. It's an interesting story, but I don't know twenty-five men I'd want to invite ta a party.
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A page a day means I need to focus on a gag a day, and that's great for laughs but bad for plot, and I'm primarily a plot guy.
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I like Jesus, I mean, I think he was a good guy.
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I was thinking of the Four Seasons, Frankie Valli and the Four Seasons, and when I was thinking "Uptown Girl!" I was trying to sing like Frankie Valli. They had a song called "Ragdoll," which was about a poor girl and a rich guy. So I just flipped it around and made it about a rich girl and a poor guy.
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I care about Roger Sterling, one of the most subtle and amazing characters in dramatic history ["Mad Men"]. This guys who knows precisely who he is, yet leaves us time after time hoping desperately for him to finally grab control of his life and some responsibility for those around him.
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I hope people know that when I'm sitting there, it's not some guy on a desk on a platform with sort of this voice-of-God approach.
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I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for "Felicity" or "Alias" ever again. I'm just too impatient these days. I want to get on to the next project.
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What happened was, I always wanted to be a singer/songwriter kind of guy like a James Taylor or Crosby, Stills and Nash type of thing; I went to a lot of coffee houses and used to watch all those guys, but I never had the nerve to get up and do it because singing seems so personal and intimate to me. It was too revealing.
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I got off on the fact that a guy would be so into me from the get-go without really knowing me. That's probably why I had so many bad relationships.
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I've never been the kind of guy to hype myself up. It's just not my thing.
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If a really, really pretty girl needs a ride home, I'm your guy.
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Peace comes when you talk to the guy you most hate. And that's where the courage of a leader comes, because when you sit down with your enemy, you as a leader must already have very considerable confidence from your own constituency.
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Being involved in movies is my passion. What's gotten me off the mat is the sense of the child in all of us. I feel like the same guy as I did back in the mail room, but with more wisdom, from the depths of experience to the heights.
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I guess I much prefer the path of the contrarian: the guy who goes against the grain a bit. The careers of the people who I admire deeply - like the Coen brothers and Soderbergh - don't repeat themselves, and they make radically different films at times, and I think that's wonderful.
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There's nothing worse than finishing your last take on a movie and thinking, 'God! I finally nailed who this guy was!'
