Script Quotes
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Sometimes having no script, having no idea what is going to happen next, having no map, might be the way to go. Because life just happens, and when it does, how you handle it will teach you more about who you are than any class or test ever can. The best preparation for the rest of your life is, maybe, no preparation at all. Dive right in. Make mistakes. Break a few rules. Wing it.
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When I heard the script of 'Loukyam,' I was laughing, as it was such a laugh riot. So all this made me sign the film.
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I don't really belong to that world and I don't think anyone's going to miss me. I'm much happier just to write myself out of the script entirely.
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Most actors go, 'I read the script and fell in love with it'; I fall in love with the directors.
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Like, literally, when you get the script, you're like, 'Whoa, I hope the Black Hood isn't after me.' I guess we'll find out.
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When I read for 'Girls,' I was like, 'The script says 'Handsome Carpenter,' so someone else is going to get the part. They'll have someone handsome, not me.'
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I'd love to see a good script of one of my books, in these years of animations and comic book sequels, and had so many written over the years, but none quite clicked.
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I'm not put off so much by first-time directors if the script is great. If the script isn't there, I'm not there.
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You don't improvise with a Cameron Crowe script.
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I had written a script called 'Freed,' which I had wanted to direct.
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Sometimes as an actor you're struggling to make things work. That was never the case for me with Big Little Lies script. It just kind of flowed out.
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You stick to the script, the script is Bible.
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Triple tonguing? It was sort of invented. It wasn't in the script. It was something that I came up with.
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The script is the bible. If you imagine setting off on an adventure in a canoe, the script is the strong arms that shove you out into the stream. It is the map of where you are going.
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It's very, very rare in this business [moviemaking] where a script lands on your lap ready to go.
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There's no such thing as easy, but it's easier when a script is good.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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The script is just a blueprint.
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Success is not important to me, nor are power or money. If the script feels good, then I'm in. It's that simple.
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I didn't know 'Homeland' was going to be 'Homeland.' I just did it because it was a terrific script, and they pitched me the story line, and I was like, 'Huh, that's interesting.'
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For me acting is a passion and an art, and always will only be that. I don't have any rules when it comes to acting. I'll do anything. But it depends on the script. Either I'll have passion for the project or I won't. It's got to fuel me.
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A script is not a piece of literature it's a process.
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It doesn't help anybody to put out a bad script.
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I don't get involved in casting, budgets, location or promotion. Just the script. And, of course, the promotional tour. Which is fine with me - I'm a novelist.
