Script Quotes
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Nobody goes to a movie and watches the script. There is a lot of other stuff going on.
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I think every script has meaningful messages no matter what it is, because inherently life is full of meaning and every single day we lean a lesson.
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I really choose by what I like, i thought 'Alexander' was a super smart script. Just [costar] Steve [Carell] alone would have been enough. Gosh, I love working with that guy. He's just the best.
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I've never known a situation in my career where a terrible script turned into a movie that was out of this world or was a success.
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I would consider a half hour sitcom if the script was good.
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I became a script writer with absolutely no idea of how to write a script whatsoever. I still feel a bit of an outsider in that regard. If I can maintain that approach to screenwriting, it can continue to be enjoyable.
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I was on holiday in Ibiza, having a lovely time, writing a book and looking at the stars every night and generally not having a care in the world. Then I got sent the script for 'Death in Paradise.' I couldn't get back to England in time for the auditions, so my girlfriend filmed me on her camera, and I sent it off via email.
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We were brought up in the school that teaches: You do what the script tells you. Deliver the goods without comment. Live it-do it-or shut up. After all, the writer is what's important. If the script is good and you don't get in its way, it will come off okay. I never discussed a script with Spence [Spencer Tracy]; we just did it. The same with Hank [Henry Fonda] in On Golden Pond. Naturally and unconsciously we joined into what I call a musical necessity-the chemistry that brings out the essence of the characters and the work.
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When I was writing the script, I knew didn't want to make a sports movie. I was very clear that I wanted to make a sibling rivalry story. So when I was writing the script, the football was getting in the way of the drama. One day, I saw Michael Haneke's Funny Games, which is probably the most violent film I've ever seen - but the violence is off camera. When I finished watching the film, I said, 'Hey, that's what I have to do.' Haneke gave me this solution.
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When I wrote Chuky script, I was a student at UCLA, an undergraduate and my biggest aspiration for it was that I would get my foot in a door somewhere, that I would get an agent or something and it was just beyond my wildest dreams that this big-time producer, David Kirschner.
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Once you finish the script, it's no longer yours; it's the other people making it, which sometimes can be hard.
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The writing of the script is a continual process. There's the first draft and then many, many re-writes here and there.
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I've done films where you have to get in shape for purely vanity reasons, when you read a script, turn to page 87 and it says: "Rips his shirt off and casually throws it onto chair" - and you're going to go to the gym the next day because nobody wants to see your big fat arse out there taking your shirt off!
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Show me a bad script and I will show you a big payday.
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When I adapt a novel, I don’t really use the script, I use the book; when I did Apocalypse Now, I used Heart of Darkness. Novels usually have so much rich material.
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Rock is all about writing your own script; it's all about pioneering.
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The way you get your script to the right people is that you put it in an envelope. It's easy. The difficult bit is writing something that is so good people will take a punt on a brand new writer.
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The script for 'In Good Company' was the first one I ever showed my dad.
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I wrote Collateral Beauty on my own. I didn't get paid to write it. I didn't sell it as a pitch. It was an idea I had that I really, really felt needed to be in script form before showing it to anyone in the industry because of the uniqueness of the idea, and the weirdness of the idea, to be frank.
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Let me tell you what, reality is better than any script you could ever write.
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After 'Divergent,' I got a job rewriting a sci-fi script at Paramount. I think they really liked what I did, so I got a call saying, 'We're about to shoot 'Ninja Turtles' in three or four months; do you wanna come in and do a little work on the script?' That was the beginning of a many-month 'Ninja Turtle' odyssey.
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For me, my storyline in Big Little Lies is very complicated and nuanced. The script was so beautifully written. It was very, very easy to play. ... I think one of the scenes is almost eight minutes.
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It so depends on each script, because you can say... I always thought I wouldn't have wanted to do something that was kind of like as big and commercial as 'The Dark is Rising,' but I really liked the script. I thought it was really clever.
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I don't come from a film background, so I am free to work in any script that interests me.
