Script Quotes
-
My music doesn't exist in a vacuum; there's a script and there's an actor and it's about to come together.
Ayshay
-
The script of Regression wasn't the draw for me. It was largely Alejandro Amenabar and his way of talking. To hear him talking about the script was way more interesting than the script. He wrote it, and so, English is his second language. It's an interesting thing. I've had that before. I was directed by Alfonso Cuarón before, too. It's always interesting when you're being directed by somebody like that. So much of directing is about communication, and finding the right words, and what it means, and how to convey certain emotions and ideas.
Ethan Hawke
-
As an actor, I would never agree if a newcomer doesn't give me a final word on the script. If it is well-written, then you need not speak to me. I will speak for you.
R. Madhavan
-
The role always attracts me. Sometimes I can read something and I can barely see the rest of the script.
Brigid Brannagh
-
Once the script is done, I put it aside for a month. I start thinking of all the films that have influenced me, which I have liked for different reasons, and not necessarily the look, but films that have moved me. Some very strange films came to mind.
Deepa Mehta
-
For me, the script is important. If it excites me, I'll do the film.
Sushant Singh Rajput
-
The strength of the script, for me, was that you're really left, right till the end, to know what's happening. This seemingly perfect, happy, kooky real relationship slowly turns into something horrifying, but you get there through a filter of reality with all of it.
Harry Treadaway
-
It's never a script that makes me decide to accept a film or not.
Jean-Louis Trintignant
-
In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.
Harry Shearer
-
There was no actually stock footage in Medium Cool. I wrote the script. I wrote the riots. And I integrated the actors in the film in the park during the demonstrations. But nowhere was it like we had stock footage and then later, in editing, integrated it into the film. It was all done at the time.
Haskell Wexler
-
It's rare that I've read a script where I'm like, "Oh, my god, it's hilarious!" All you want is a good skeleton and good characters. Then, you can go, "Okay, I can bring a lot to this. I can improvise and I can create something out of this."
Nick Swardson
-
I always knew that someone was going to come at me with a script to play God. It's just one of those things, the way your career is unfolding and all the talk about gravitas etc etc, so I had a strong feeling that someone was going to offer me the part of God. I was totally prepared to say, 'Thanks but no thanks,' unless it was a comedy.
Morgan Freeman
-
You can always find ways to make it different, as long as it's a really well-written script and well-written character.
Georgina Haig
-
Finally, when the money was high enough, the script suddenly revealed itself as being very clear to me.
Robert Vaughn
-
I don't watch many films. I just make sure my directors are really good. I will work even with a debut director, but the one-hour narration of the script should be mind-blowing.
Suriya
-
I don't like to write a script unless I know who the artist is. A lot of people can do it without that, and that's cool, but I like to look at the art.
Gerard Way
My Chemical Romance
-
I've turned down all sorts of good things accidentally, too. I read the script for 'Eternal Sunshine Of The Spotless Mind' and thought, 'This makes no sense.' Then I went to the cinema to see it. Well, what an idiot.
Ben Miller
-
I don't really say, 'Is this script Catholic or not?'. But if I find it to be immoral, or it doesn't sit right with me, which happens a lot these days because there's a lot of garbage being written... I'm like, 'I'm not doing this.'
Siobhan Fallon Hogan