Done Quotes
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I think one of the pitfalls of doing your own music is that sometimes you can never be satisfied with it: you're afraid to say that it's done, and you keep reworking it or re-recording it or re-writing it.
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I've done well for myself.
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I don't think anything happens without the press, one way or the other. I think it's all done for it. You saw it start, really, with Martin Luther King in Birmingham. He did the bus thing. And I don't think anything that followed would have happened if the press hadn't paid attention.
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'Game of Thrones' is the broadest of narratives. I don't know if anyone in the U.S. has done a story on such a large scale before, both in terms of what George R.R. Martin wrote and what's on the show.
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One very clear memory I have of college is that I never learned anything in the big lectures. I have a feeling I'd have done even worse if they'd been on a laptop screen.
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I always claim that the writer has done 90 percent of the director's work.
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I like that sense of we're all on the same page and trying to get the job done.
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First we start with the lyrics. Most of the lyrics are done by Stefan Kaufmann and me. When we have enough lyrics and enough stories we have the lines to make titles. Then we collect all the ideas of everybody in the band and see which ideas fit together the best with the lyrics to get the right atmosphere. That's the way we compose.
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Listen to advice from people who have been there and done that. It is so hard to believe that when you are young, but parents, mentors, teachers, they can all be so valuable when it comes to advice.
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I've just done a commercial in the U.S. in which I talk about stocks, shares and bonds. Everyone is amazed. They ask me: 'You really know about that stuff or did you just learn it for the commercial?' I tell them I wouldn't do it unless I understood and had an interest.
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I did a short film at Outfest, 'Where Are the Dolls,' based on an Elizabeth Bishop poem done, where I play this woman who is sort of walking the streets and ends up alone dancing in a club. I have this hot and heavy scene with a very beautiful actress. It became very popular.
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My concern is to continue respecting my work as I've done since I began as an actor and I could only do that if I'm strong enough to keep on doing what I think best in an artistic way.
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I'm really grateful for the opportunity I had on 'Boardwalk Empire,' just because it was very different than anything I'd done onscreen.
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I then moved to LA when I was 16... but before that I had done a play on Broadway.
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I have an immigrant story. Most people come here for economic reasons, or religious reasons, or racial reasons, or gender reasons, or one of those things. I had a good job in Paris, but America was, and still is, the golden fleece. And I've done very well!
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As far as I am concerned, a painting speaks for itself. What is the use of giving explanations, when all is said and done? A painter has only one language.
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A good book or movie or screenplay should be emotionally satisfying. When they're done, you want people to breathe a deep sigh and say, 'Wow.'
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I hate letting my teammates down. I know I'm not going to make every shot. Sometimes I try to make the right play, and if it results in a loss, I feel awful. I don't feel awful because I have to answer questions about it. I feel awful in that locker room because I could have done something more to help my teammates win.
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All of my close friends are emotional train wrecks. This is what makes our lives interesting - constantly doubting ourselves, worrying, wondering if we've made a mistake. Could we have done better? Are we good people? Are we bad people?
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If you desire something, you don't have it. It is more interesting than enjoyment, because enjoyment erases the mysteries and the vision of desire. Desire opens up possibilities but never achieves anything, whereas enjoyment is just the brutal achievement of something - and after that, it's done.
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I'm not denying that in the world there's been some tremendous musical happenings, like DJ Shadow or whatever, that kind of thing. But when it goes into the weird thing where you get a remix done by a certain person because they need a brand name, that's when it becomes really discouraging.
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I've done it with Broadcast News-where there was no finish line, there was no agenda that I had to move all the characters to this point, that I was sort of open to what happens.
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Sometimes I do stuff where people say, 'Why did you do that?' And you know, it's very simple. I do it because I've never done it before.
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My first child, I think I was completely shell shocked. I was ecstatic but in shock that I was now responsible completely for another life and it was my co-creation and how did I manage that?! I was in awe that I had actually done what millions of other women had done, given birth and now an added responsibility of 'mommy' in my life ahead!
