Sound Quotes
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It's a sound bite. It's very of this age, because that's what people want.
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It doesn't sound that cool to say it, but I still get nervous for any show. But it's different degrees - playing a small basement of a club versus playing a festival like Firefly or Bonnaroo. The feeling is, 'Crap, I'm about to be blasted in the face,' and once you get started, then it's like, 'OK, I've done this before. I know what I'm doing.'
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If somebody says, "He sounds just like Michael Jackson," well there's already a Michael Jackson. You don't want to sound like Michael Jackson; you want to sound like yourself. The only way you're ever going to get anywhere, and stay there, is by being your own self.
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I'd been collecting different ethnic instruments here and there, and then I started making little bell type stuff, looking for weird little sound toys.
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I always tried to make a diverse album in terms of emotions and sounds.
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Kenny Burrell that's the sound I'm looking for.
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Not to be weird, but I still have an ongoing relationship with my mom, even though she passed away, and I've been surprised at how much I've been able to convey to her. Now I sound like a total weirdo, but that's true.
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Growing up with my brothers, I was like an accompanying mascot to them. The whole heritage and culture of soundsystems is all in my blood y'know? Then obviously from DJing, I just went onto building my own sound and producing my own music.
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I don’t think it’s about a point of difference, I’d say it’s about being unique because my music isn’t anchored in one sound.
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The great things in life are what they seem to be. And for that reason, strange as it may sound to you, often are very difficult to interpret (understand). Great passions are for the great of souls. Great events can only be seen by people who are on a level with them. We think we can have our visions for nothing. We cannot. Even the finest and most self-sacrificing visions have to be paid for. Strangely enough, that is what makes them fine.
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I can't draw. But I can draw with sound. That's the most useful thing I learned in terms of what my craft is... The arrangements were mine. They were little lines and stuff that I had written myself... And I was locked into this idea that vocals didn't count, melodies didn't count, songwriting craftsmanship didn't count. The only thing that counted was high arching guitar solos...
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My sound comes from my inspiration, which is people like Aretha and Jay Z and Kanye, as well as everyone from the Whitneys and Mariahs to Destiny's Child and Usher. They all inspired me growing up.
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It's going to sound ridiculous, but knowing how to pose, how to maintain a level of engagement and variation for a day of shooting, is actually a skill.
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Singers- nothing sounds like you. For better or worse-there is only 1 of you. Don't homogenize your sound by making it just like the next.
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She laughed, and the sound was so melodic that I knew I wanted to hear it again.
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A musician should only sound like what they do, and no two musicians sound the same. It's an individual-feel thing, you know?
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I try to find a way that the other guy hasn't thought of using a sound or a sample.
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Living is about clucking your tongue and enjoying the sound. ~Slater
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When I was young, I learned very early on that I could make my mother laugh. And that was one of the greatest sounds I ever heard.
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He is the most important thing in my music. If The Hacker didn’t exist I’m not sure if I’d be here today. He explained a lot of things to me; it all came from him… I had been obsessed with his sound, because for me his music is the perfect combination of the past and the future. It was the only music I understood because everything he made was so logical for me.
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When I’m writing I get it up as quickly as possible. I get the bass down and a drum sound, I don’t want to get bogged down in EQ. As long as it’s working and you’ve created a convincing illusion and the mood is coming to life then I’m happy with. That’s the writing stage.
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It's a weird sound inspired by a hip hop drum loop. I listen to a lot of hip hop tracks and it's not used quite often in House currently. I chopped up the loop and edited it so you wouldn't recognize the original.
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It might sound chauvinistic, but there is a sad reality in rock music: Bands who depend on support from females inevitably crash and burn.
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Musicians today have gotten used to Protools, which I hate. You can go into the studio and not even be a musician, just start beating on stuff and they can take parts out of it, move it around and then you can sound like Slash. If you want some kind of weird feedback effect in the middle of a guitar solo, now they can just fly it in. You don't have to sit there and work at it like you did back in the day.
