Sound Quotes
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It's really important to me that my sound is a combination of beats and melody. I love hearing strong, confident beats in music because I love to dance. At the same time, melody is really important to me because I love singing.
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I like what Oliver Lakes does on the saxophone. The saxophone comes pretty close to the sound of the human voice and when Oliver plays with other sax players, it's like a dialogue.
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Since I was doing all of it myself, I had to decide where I wanted to go with the songs, how to proceed with the chords, if the sound was alright, and all that detail on my own.
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It's all about sound. It's that simple. Wireless is wireless, and it's digital. Hopefully somewhere along the line somebody will add more ones to the zeros. When digital first started, I swear I could hear the gap between the ones and the zeros.
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Heard in full sound, the Gospels tell about the establishment of a theocracy, and portray what theocracy looks like with Jesus as king.
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I love the sound of Elmore James, the sound early guitarists like him got just by using minimal means.
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I get some heat for what English people call 'overproduction.' I don't think my older stuff was overproduced, but I do think that sound has dated.
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We’re not an angsty band at all, so we’re not actively looking for that sound.
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From the end of 2015 to the start of 2016, I was always at the studio with Mustard, just figuring out a sound.
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When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.
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I love all kinds of music, and I would write really traditional country songs and songs that were just really out there, that didn't sound country at all, and everything in between.
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It's all about sound. It's that simple.
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The diverse sound of my music makes it a good fit for that demographic.
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I'm a national security liberal, which I tell people because it's meant to sound absurd.
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I study what's happening in music. I want to sound different than everybody else.
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Whether I sound like Sammy or not is purely coincidence. You have got to hand it to him, he sings his ass off. There is no moss on that stone.
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I hate to sound this way but, 'Why me? Why me with dementia?'
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Can I eventually take classes and eliminate my accent? Sure. I guess anybody could. But this is who I am, and this is what I got. And there are millions of people who sound just like me. Millions. It's not like this is some novelty.
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I miss Kentucky, I miss the sound of the cicadas, and I want to come back from time to time.
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The sound of the '90s, to me, is a combination of soul and street - it's a feeling.
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I'm not really into alternative country - I'm into Patsy Cline, who lived down the street from where I lived, and old Dolly Parton records, Kitty Wells and that old stuff. I like country music. I also like Eric Church, who has a great new sound but also holds onto that old sound.
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Through Hamas, Iran has been able to buy itself a seat on the table in talking about the Palestinian issue. And, as a result, through Hamas it does play a role in the issue of the Palestinians, as strange as that should sound.
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[T]here is only one sound argument for democracy, and that is the argument that it is a crime for any man to hold himself out as better than other men, and, above all, a most heinous offense for him to prove it.
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I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
