Sound Quotes
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In almost the same way you know what your grandmother looks and sounds like, you know what Bruce Willis looks and sounds like.
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When the picture was finished, they took me into the sound room and then I screamed more for about five minutes just steady screaming, and then they'd cut that in and add it.
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When it comes to production and the overall sound, I don't really have a lot of intentions with it. I start off with melody and a lyrical idea, and then build off of that story.
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I'll kind of tend to beat myself up because I just want it to sound better than better.
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I don't wanna sound pretentious talking about myself.
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I want to coach because I love it. I don't want to sound hokey, but when you play for Frank McGuire, Dean Smith, and Pete Newell - they taught me a lot - I want to share what they taught me with a lot of people. I don't want to stop doing this.
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I don't want to sound too Oprah-ish or anything like that, but I really believe that if you have the power to imagine particular things, you have the ability to transform them.
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I'd hate the sound of thirty thousand people booing.
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He has the finest, fundamentally sound golf swing I've ever seen.
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The patterns of big-band music are smooth and classical. It's got to be fresh. The brass section should crackle, like the sound of eggs being dropped into hot grease.
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When I'm in the mode of feeling positive about love, I don't really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.
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Me and Jaden just figured out that our voices sound like chocolate together. As good as chocolate tastes, it sounds that good.
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I hate to repeat lines, to say the same damned thing. I try to rewrite cliches and make what I say sound fresh.
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I am a sound freak. I could play around with sound forever.
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[T]here is only one sound argument for democracy, and that is the argument that it is a crime for any man to hold himself out as better than other men, and, above all, a most heinous offense for him to prove it.
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I started calling myself the Pied Piper, when I started using the flute sound in my music.
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The sound of the '90s, to me, is a combination of soul and street - it's a feeling.
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Baseball is my escape. The sights, the sounds, the way the park smells. There is truly no place I would rather be than at a game.
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Some actors get fired up by the sound of the audience. I just want to retreat.
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Describing certain sounds, there's a common language that guitar players have.
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I think when I began, I played distortion more than the guitar. The results of my strumming. Now I play the twang of the string, which is a lot closer to the source of the sound making.
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I love all kinds of music, and I would write really traditional country songs and songs that were just really out there, that didn't sound country at all, and everything in between.
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The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
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I read Carver. Julio Cortazar. Amis's essays. Baldwin. Lorrie Moore. Capote. Saramago. Larkin. Wodehouse. Anything, anything at all, that doesn't sound like me.
