Sound Quotes
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I hate to sound this way but, 'Why me? Why me with dementia?'
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From the end of 2015 to the start of 2016, I was always at the studio with Mustard, just figuring out a sound.
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Can I eventually take classes and eliminate my accent? Sure. I guess anybody could. But this is who I am, and this is what I got. And there are millions of people who sound just like me. Millions. It's not like this is some novelty.
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As far as I'm concerned, 'whom' is a word that was invented to make everyone sound like a butler.
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I'm a national security liberal, which I tell people because it's meant to sound absurd.
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The sound of the '90s, to me, is a combination of soul and street - it's a feeling.
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When it comes to production and the overall sound, I don't really have a lot of intentions with it. I start off with melody and a lyrical idea, and then build off of that story.
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I got my own sound; nobody sounds like me.
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I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
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Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public.
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It's almost like he's started to sound even more exotic the more people started doing him. I don't know why, but there's just something about Al Gore that makes me laugh.
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I would spend hours absorbing every intonation, every inflection - how the singer would convey a sentiment and how it would sound coming out of their head. All of those things I very carefully watched and absorbed, and so I guess I was studying my whole life, although not in any sort of conventional way.
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I miss Kentucky, I miss the sound of the cicadas, and I want to come back from time to time.
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Attention may sound dull, but it is an essential aspect of consciousness. In fact, it governs what it is that we turn out to be conscious of, and therefore plays a part in the coming into being of whatever exists for us.
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I've got a song on One Direction's album called 'Tell Me A Lie'. It's a really cute song - I love it. I loved that they liked it. They sound really great on it. I already have it - I'm so VIP with my copy on my computer! It does sound really good.
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The project which we developed, however, was for a sound piece and I was initially curious that a sculptor should be interested in working with a musician, especially on a project for radio.
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I'm not really into alternative country - I'm into Patsy Cline, who lived down the street from where I lived, and old Dolly Parton records, Kitty Wells and that old stuff. I like country music. I also like Eric Church, who has a great new sound but also holds onto that old sound.
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I always dreamed of being Maria in The Sound of Music.
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I worry about kids and all they are exposed to. Kids get so bombarded with hard, commercial sounds. They don't even have a chance to develop the softer part of themselves without fear of being ridiculed.
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Erykah Badu projects don't even sound like Erykah Badu projects. I don't even have one album that sounds like another one of my albums.
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That's the thing I like about my sound. It's real raw and very unsafe compared to a solid state kind of sound.
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A real New Yorker likes the sound of a garbage truck in the morning.
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I'd hate the sound of thirty thousand people booing.
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Do things sound better in your head before you say them, or do you even run them through there first?
