Mood Quotes
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I like hanging around people who knit. They are usually in a good mood. People who are staring into their iPhones *and* demanding your attention at the same time are not as much fun to be around.
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Nobody ever dared with Frank, because he had such mood swings, and you never knew how he was going to react. But I could tell the minute I saw him that he was going to be in my corner.
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I don't listen to music when I write, but I do turn on appropriate music when I read portions of my manuscripts back to myself - kind of like adding a soundtrack to help shape mood.
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The War is not over and the one that is, or the part of it, has been largely lost. But it is of course wrong to fall into such a mood, for Wars are always lost, and War always goes on; and it is no good growing faint.
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I love kids. I just love kids. They put you in a good mood and they are so full of life.
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Eating healthy and keeping hydrated does wonders; it centers my mood and helps me keep a sharp mind.
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There was a mood of magic and frenzy to the room. Crystalline swirls of sugar and flour still lingered in the air like kite tails. And then there was the smell-the smell of hope, the kind of smell that brought people home.
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I'm a car guy! I have a Ford Escape with Ecoboost for most days. On other days I love to drive my 356A, my early 911, or my '72 Dino GT. It all depends on my mood, what road, how far, and who's with me.
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I feel in an executioner mood, I am going to punish him and punish him slowly.
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I think crafting a new, effective horror movie is not just about when night falls and things get scary. It's about setting a tone and mood that permeates throughout the entire movie. So even during the daytime, things are never quite safe-feeling.
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Everything is always going through changes in terms of attitudes or mood.
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I'm all for information diets, which are helpful for the mood and for the art.
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Learning from one's enemies is the best way to love them, for it puts one into a grateful mood toward them.
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When you're a director, you have great respect for directors. I am really pretty loyal to any director that I am working for and I want to help them realize whatever story and mood and tone that they're trying to realize. As an actor, you really just are a cog - you are an important cog, but you are just a piece of the machine.
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My mood depends heavily on what happens to me right after I get up.
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One of the things I had to really work on is, when you're the leader of an organization, people look at the expression on your face. Your mood has a lot to do with how people think the whole organization is doing.
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When I was little, I had this science book. There was a section on 'What would happen to the world if there was no friction?' Answer: 'Everything on earth would fly into space from the centrifugal force of revolution.' That was my mood.
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And it was strange, I thought, that sorrow lasts and can make a man look forward to death, but the mood of victory fills a moment and then is over
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'Animal Man' and 'Swamp Thing' have so many commonalities in tone and mood.
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If I let a blue mood run rampant, before I know it I'm obsessing about the color of the satin lining in my coffin - will it match my dress? That's when I feel like Alice in Cancerland falling down the rabbit hole and just have to stop.
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Sebald, Naipaul, and Joyce are three of my biggest influences, all of them for their formal freedom and their ability to create mood. So those comparisons are immensely flattering and, of course, unearned.
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I love Michael Anthony. We met on set for a shoot and ever since then he has been my guy. We don't do too much conceptualizing - it's usually just a vibe we are feeling based on the wardrobe or mood of the shoot, and we go from there.
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Many exercise forms - aerobic, yoga, weights, walking and more - have been shown to benefit mood.
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The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.
