Story Quotes
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Whenever you can bring your chops in as a reporter to unearth a cool story, that's always a good thing.
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I was thinking 'Love Story', obviously, was a romantic film of that time.
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I'm just trying to tell a nice story. Whether you're a writer or a producer, all you want to do is tell a good yarn.
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People like it when others are gossiping. When you hear a story about someone's demise or some big faux-pas they made, everyone wants to tune into it, because it's nice to know that someone else made a mistake. It makes you feel elevated for a moment.
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You don't just have a story - you're a story in the making, and you never know what the next chapter's going to be. That's what makes it exciting.
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I don't want to put 12 singles on an album. I want to make a story, a little movie.
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Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
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I decided to be a part of 'Bajrangi'... because I felt that it tells a very relevant story.
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The thing is, the Tulsa experience that I wrote about in 'The Outsiders' is closer to the universal experience than it would be if I wrote it from L.A. or New York. It's an everyman story.
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He did not know that the new life would not be given him for nothing, that he would have to pay dearly for it, that it would cost him great striving, great suffering. But that is the beginning of a new story -- the story of the gradual renewal of a man, the story of his gradual regeneration, of his passing from one world into another, of his initiation into a new unknown life. That might be the subject of a new story, but our present story is ended.
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Everybody has their own story - it's who you are. If I wasn't five-foot, I wouldn't be who I am!
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A recipe is a story that ends with a good meal.
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I approach film no differently than I approach a role. I want to make sure the movie is right, the characters are right, I can really bring something to it as a visionary, a storyteller. It's great to point a camera, but can you tell a story?
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First, I have to read something and find it interesting and like the story. If I don't understand it fully, but there is something in there that is interesting, then it takes a director to convince me. If he can't do that, then I don't go with it. It doesn't matter where the project comes from.
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It's really important to me not to be a snob about age division or about genre or whatever. The story needs to be what the story needs to be.
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Writers always say, 'I always knew I wanted to be a writer; when I was a three-month-old foetus a pen formed in my hand and I began to scratch my first story on the inside of my mother's womb.' I started later, in my early twenties.
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With a mini series you can give the story a proper sense of pacing, a proper sense of closure.
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I enjoy heroines who grow and come into their own during the course of a story.
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A new bubble will replace the old one. A new technology will come along to fix the messes we made with the last one. In a way, that is the story of the settling of the Americas, the supposedly inexhaustible frontier to which Europeans escaped.
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Actors, we like stories, we like storytelling, we love being a part of the story, and if you give us a story that's interesting then we'll want to do it.
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When I am writing a story it feels as real as the life I am experiencing off the page. It's an emotional illusion, I guess.
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Great writers know what to cut out. It's the same in life. Clear ambitions. Clear relationships. This is the stuff of good story.
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I was told having a website would help me. I have yet to figure out why my life story needs to be on the web.
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A talib fires three shots at point-blank range at three girls in a van and doesn't kill any of them. This seems an unlikely story.
