Writing Quotes
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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Singing, writing songs, is kind of my biggest fear, but it's the thing I feel I need to conquer.
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We started out a long time ago, and we've managed to just keep writing current songs and have No. 1 current records.
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Living composers writing for big band are very few and far between. There are not a lot of them, and I have a talent for doing it. I am zeroing in on what I do best.
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Freedom to tell any story I want, with all the imaginary tools of my trade, is why I love writing novels. I love taking an idea, fleshing it out into a new world - and going on adventures with characters who day-dream themselves into existence and take on lives of their own.
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Part of my motivation for writing mysteries for young people is that I loved mysteries when I was growing up, and now that I'm on the creative end of things, I'm discovering that they're even more fun to write!
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The most fun I ever have is sitting in with Rick writing, and we laugh at our own jokes.
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I do have the sense that, although there may be no one way to write a novel, there are many novelists who are in fact part of some sort of larger literary community, whether in the form of a writing group or an MFA program, to name two of the more common forms.
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I started writing songs at age 15.
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I loved publishing; I loved working in the book industry, but I've been writing pretty much nonstop since I was 19. I realized very early on that I would need a day job, and I wanted one that was in books.
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On the simplest level, telecommuting makes it harder for people to have the kinds of informal interactions that are crucial to the way knowledge moves through an organization. The role that hallway chat plays in driving new ideas has become a cliche of business writing, but that doesn't make it less true.
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I'm really annoyed by the wave of country music that's just a list of stuff. It almost sounds like L.A. people writing country music, because it's just a list of stuff: 'My pickup truck and my cowboy boots and my Levi's jeans and my girlfriend with the short shorts.' It's so boring!
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The writing that I have found to be most false is the writing that doesn't offer hope.
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Writing is really hard, and it's really a skill.
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One must be an inventor to read well. There is then creative reading as well as creative writing.
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Writing my first book, I think in hindsight I went into it saying, 'It's gonna sell.' I was earning enough to scrape by sometime around a book or two before 'Tell No One.' I moved up from $50,000 to $75,000, then $150,000 for each book. I had never thought I would be doing anything else. I had enough encouragement.
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A lot of movies that come from Israel are about war, but there is such good, funny, rounded writing that comes from the country that I wish more people would discover.
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I'm not against women. I'm not against men. I just write about me telling my side of how I would say something.
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In many ways, writing is the act of saying 'I,' of imposing oneself upon other people, of saying, 'Listen to me, see it my way, change your mind.' It's an aggressive, even a hostile act.
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My writing process hasn't changed - it's is the same whether I'm working on a Y.A. novel or, as now, a new novel for adults. A lot of reading, a lot of research if the subject warrants it, a lot of sticky notes and scraps of paper - and get to work.
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I do all these various activities like painting and writing, comedy and films probably because not that I'm good at everything but because I'm not good at any of these things.
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When we first started playing in the early days, none of us really had any idea about writing our own songs yet. We were struggling how to learn our instruments and play songs to be able to perform for people.
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It eventually appeared to be me, cinematically. When I was writing it I was actually an author, you know, writing a book. ... But there certainly is a difference in energy between a younger man and an older man.
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When I started 'Still Missing,' I had a few key plot points in mind, which I played around with mentally for a couple of months, then one day I just started writing. Not having an outline led to some cool plot twists, but also many rewrites! A lot of the plotting happened on subsequent drafts.
