Writing Quotes
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Becoming a tutor was among the many attractive post-collegiate side careers I failed to pursue while devoting the bulk of my days to writing fiction.
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Well, yes, as I was a rather bad actor then and I wasn't making enough money, I thought, to make enough money to not make money as an actor, I'd better do some writing.
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We bled writing these songs, we bled in the studio, and now we're out bleeding getting them right live.
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Living composers writing for big band are very few and far between. There are not a lot of them, and I have a talent for doing it. I am zeroing in on what I do best.
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R&B is the one thing that has influenced every kind of music. Every artist that there is, from those that are sung the most to Adele - you know, she was so influenced by so many R&B artists and soul music - it's clear in her writing that that's where it comes from.
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Usually my writing is very over the top and bombastic and very, like, 'I'm amazing! Look at me!'
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I started writing songs at age 15.
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I loved publishing; I loved working in the book industry, but I've been writing pretty much nonstop since I was 19. I realized very early on that I would need a day job, and I wanted one that was in books.
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A lot of movies that come from Israel are about war, but there is such good, funny, rounded writing that comes from the country that I wish more people would discover.
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I make a point of writing, if only a little, every day, as a kind of discipline so that it is not a whim but a piece of work.
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I do have the sense that, although there may be no one way to write a novel, there are many novelists who are in fact part of some sort of larger literary community, whether in the form of a writing group or an MFA program, to name two of the more common forms.
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My writing process hasn't changed - it's is the same whether I'm working on a Y.A. novel or, as now, a new novel for adults. A lot of reading, a lot of research if the subject warrants it, a lot of sticky notes and scraps of paper - and get to work.
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I'm not against women. I'm not against men. I just write about me telling my side of how I would say something.
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The writing that I have found to be most false is the writing that doesn't offer hope.
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Maybe I've lost a little, but I think everyone does over time. People have been writing that I'm getting old every year, and eventually they're going to be right. There's nobody in this game that's doing the same things they once did in the peak years of their career.
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I am resigned to the fact that people who don't know me loathe me. Perhaps it is because I am a woman writing poetry. It must be annoying to a man who wants to write to see this horrid old lady who can.
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Freedom to tell any story I want, with all the imaginary tools of my trade, is why I love writing novels. I love taking an idea, fleshing it out into a new world - and going on adventures with characters who day-dream themselves into existence and take on lives of their own.
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Part of my motivation for writing mysteries for young people is that I loved mysteries when I was growing up, and now that I'm on the creative end of things, I'm discovering that they're even more fun to write!
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On the simplest level, telecommuting makes it harder for people to have the kinds of informal interactions that are crucial to the way knowledge moves through an organization. The role that hallway chat plays in driving new ideas has become a cliche of business writing, but that doesn't make it less true.
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Writing is really hard, and it's really a skill.
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I'm really annoyed by the wave of country music that's just a list of stuff. It almost sounds like L.A. people writing country music, because it's just a list of stuff: 'My pickup truck and my cowboy boots and my Levi's jeans and my girlfriend with the short shorts.' It's so boring!
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When I started 'Still Missing,' I had a few key plot points in mind, which I played around with mentally for a couple of months, then one day I just started writing. Not having an outline led to some cool plot twists, but also many rewrites! A lot of the plotting happened on subsequent drafts.
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Working on 'Drive', a lot of fun. This is Tim Minear whom I've worked with before on 'Firefly' of course. He called me up and said, 'I've got a part for you that you will love,' and I love Tim's writing. I love his stories. I love his characters, his dialogue. He has a knack for reveals and he has a knack for moments.
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One must be an inventor to read well. There is then creative reading as well as creative writing.
