Writing Quotes
-
Novels begin, not on the page, but in meditation and day-dreaming - In thinking, not writing.
Joyce Carol Oates
-
Mr. Pickwick took a seat and the paper, but instead of reading the latter, peeped over the top of it, and took a survey of the man of business, who was an elderly, pimply-faced, vegetable-diet sort of man, in a black coat, dark mixture trousers, and small black gaiters; a kind of being who seemed to be an essential part of the desk at which he was writing, and to have as much thought or sentiment.
Charles Dickens
-
Novel-writing is a bit like deception. You lie as little as you possibly can. That's the way I do it, anyway.
Joseph O'Neill
-
That's something that's really rare and special and what any actor would love - to have somebody that's specifically writing for you.
Jon Tenney
-
Successful writers are not the ones who write the best sentences. They are the ones who keep writing.
Bonnie Friedman
-
For example, when I was writing Leviathan, which was written both in New York and in Vermont - I think there were two summers in Vermont, in that house I wrote about in Winter Journal, that broken-down house... I was working in an out-building, a kind of shack, a tumble-down, broken-down mess of a place, and I had a green table. I just thought, "Well, is there a way to bring my life into the fiction I'm writing, will it make a difference?" And the fact is, it doesn't make any difference. It was a kind of experiment which couldn't fail.
Paul Auster
-
When you make a melody that doesn't come with words from the get-go, sometimes you're just thinking about random vowel sounds that go with it - and it's really, really hard to write lyrics that actually obey the vowel sounds.
David Longstreth
-
Actually if a writer needs a dictionary he should not write. He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it. There are only certain words which are valid and similes (bring me my dictionary) are like defective ammunition (the lowest thing I can think of at this time).
Ernest Hemingway
-
You can be far more challenging, articulate and intelligent writing for television than you can writing for the cinema.
Peter Morgan
-
After the first shock of recognition - a sudden sense of "this is what I'm going to write" - the novel starts to breed by itself; the process goes on solely in the mind, not on paper. I feel a kind of gentle development, an uncurling inside, and I know that the details are there already, that in fact I would see them plainly if I looked closer, but I prefer to wait until what is loosely called inspiration has completed the task for me.
Vladimir Nabokov
-
Probably also due to the political situation getting just worse and more extreme, but also this distance and this sadness of this feeling that I gave up - that I surrendered, that I felt that I lost my small war. So the whole column is different than the columns that I used to write back home, back in Jerusalem.
Sayed Kashua
-
So many people seem to imagine that because the actual tools of writing are easily accessible, it is less difficult than the other arts. This is entirely an illusion.
Vera Brittain
-
I'm not bashing people who write songs that are just 'get on the dance floor and party party', I understand why people need those songs too, but I don't really write lyrics like that.
William Beckett
-
If you're writing a detective novel or horror or sci-fi, you want to expand or reinvigorate the genre in your own little way.
Colson Whitehead
-
When I was writing Caramelo the last couple of years, a sixty-hour work week was normal. And now I'm lucky if I have eight hours.
Sandra Cisneros
-
Too many poets write poems which are only difficult on the surface, difficult because the dramatic situation is easily misunderstood. It's not difficult to write poems that are misunderstood. A drunk, a three-year-old-they are easily misunderstood. What is difficult is being clear and mysterious at the same time. The dramatic situation needs to be as clear in a poem as it is in a piece of good journalism. The why is part of the mystery, but the who, what, where, and when should all be understood.
Miller Williams
-
I'll be writing essays long after I've stopped writing fiction. There is this unusually broad range in the non-fiction, but if you look at what I'm capable of as a novelist, I'm more limited.
Geoff Dyer
-
I was a painter before I was a writer, so I was always a visual artist. And my writing, to me, was always visual.
Peter Landesman