Writing Quotes
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Writing is such a good thing to do because you can't really get bored with it. If you're bored with writing, you're bored with life.
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I made a decision when I started writing 'All is Song' to take the compliments I had for 'The Wilderness' and try to be confident and not overwhelmed by it.
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Writing 'Hoop Roots' was a substitute or a surrogate activity. I can't play anymore - my body won't cooperate - so in the writing of the book, I was looking to tell a good story about my life and about basketball, but I was also looking to entertain myself the way that I entertain myself when I play.
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I am so territorial, that [from the start] I just felt like whatever I was gonna do I was gonna write it myself, its my personal preference to always be in control of everything I do in life.
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Jiyong hyung's mind can go wild and think a lot of things. This was my first time writing my own lyrics so I only thought about myself, but Jiyong hyung won't do that. He'll think, 'Ah, this type of rap suits T.O.P., this part suits Seungri.' That's how he writes lyrics, but I can't do that yet.
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Writing is a way of processing our lives. And it can be a way of healing.
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There's a lot more to publishing a book than writing it and slapping a cover on it.
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I would like to be known for honest, relatable writing and stories that that are real. There's just this shift I think is happening in a lot of society right now where being your most real self, however embarrassing or vulnerable or weird that is, is the coolest. I feel like that's what Lena Dunham's about and Amy Schumer's about.
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I identify as an agent when I'm agenting, and I identify as an author when I'm writing. I expect both those things to be true for as long as I'm able to do them.
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I love writing music.
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The great thing for me, now, is that writing has become more and more interesting. Not just as a craft but as a way into things that are not described. It's a thing of discovering. That's when writing is really working. You're on the trail of something, and you don't quite know what it is.
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My writing day has grown shorter as I've aged, although it seems to produce the same number of pages.
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You're successful if you can get one person to pick it up and put it on the turntable and go, Wow, thanks for writing that!
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There are some different things I'm writing and developing, but I don't know where they'll go. They're fun stuff that I would be in and are written in my voice, for me.
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People spend a lifetime thinking about how they would really like to live. I asked my friends and no one seems to know very clearly. To me it's very clear now. I wish my life could have been like the years when I was writing 'Love in the Time of Cholera.'
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But when I was a little kid, I was always writing stories and illustrating little books that I would create.
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I always had a thing for writing. Even when I was in school, I was always good at writing.
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'Flaubert's Parrot' is an amphibious book in which what appears to be a personal essay about Flaubertian writing is gradually, delicately transformed into an extremely sad novel in which the differences between character, author, and narrator are less clear than they appear at first glance.
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I had an insanely long commute - New York to D.C. - when I worked at 'National Geographic.' I hate to waste time, so I spent my time by writing about my life on the premise that I might be able to pitch those as short essays to magazines. It wasn't until later that I realized that I was writing a book.
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There are three things I look for in a story - it has to be a thriller; I cannot see myself writing literary fiction or a saga! There has to be a historical connection; otherwise, the adrenalin will not flow. And I will try to bridge the gap between 'Rozabal' and 'Chanakya'.
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In my office I have a sign that says, 'Don't think. Just write!' and that's how I work. I try not to worry about each word, or even each sentence or paragraph. For me, stories evolve. Writing is a process. I rewrite each sentence, each manuscript, many times.
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To me, writing and composing are much more like painting, about colors and brushes; I don't use a computer when I write, and I don't use a piano. I'm at a desk writing, and it's very broad strokes and notes as colors on a palette.
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My publishers are wonderful because they have let me write what I wanted to. They're wise enough to know that, with any author who's not simply writing formulas - who's trying to create something new - pressuring them to do something for market purposes almost always backfires. I can't imagine working under those circumstances, actually.
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The two things I enjoy the most about writing are the first page of a book and the last. What's in between is very hard work.
