Animation Quotes
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I have a company that does design and animation, so obviously graffiti is definitely an intricate part of what we admire and respect in the art world.
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I was able to bring my process of doing improv with actors into the animation world, which was fun.
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My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.
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In terms of writing characters or stories, at least initially, there's no difference between live-action and animation. A good story is a good story, whatever the medium.
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I don't know what I'd do with my life if it wasn't for animation.' I guess I would be an artist, or do something with animals. I have a passion for animals. Maybe I would've become a veternarian.
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Animation is not the art of drawings that move but the art of movements that are drawn.
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You're using such different muscles and you rely on physicality in live action, but in animation, you totally throw that out the window. But somehow, they're both as satisfying.
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I was always into animation, especially.
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And having suffered for part of the war when I was a child. I was too young to really understand what was going on but one of my favorite pieces of animation now is that Goodbye Blue Sky in The Wall because that deals directly with that period in time.
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I love to do animation movies, and those might be some scores that are lesser known, unless you really kind of dig through my work and see.
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This Golden Globe nomination is sweet validation for the years of hard work it took to bring Coraline to life using stop-motion animation with the greatest crew of animators, artists, and technicians I've ever been privileged to work with. I share this nomination with all of them and we all share our thanks to the Hollywood Foreign Press.
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[on the future of hand-drawn animation] I'm actually not that worried. I wouldn't give up on it completely. Once in a while there are strange, rich people who like to invest in odd things. You're going to have people in the corners of garages making cartoons to please themselves. And I'm more interested in those people than I am in big business.
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I've always loved movies and animation. When I was little, I was always pretending to be some alter ego superhero. For years it was Ultraman, ninjas, Spiderman and other cool super heroes.
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I've loved all forms of animation.
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My father had a Super 8 camera when I was a kid and sometimes he would use it. I did some animation with it. I did a lot of flipbooks.
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I think with animation there's a certain freedom that you're given. You don't have a thought at the back of your mind, that worry that you'll have to cut and go back to the top of the scene. You're not working with anyone else from the cast. It's just you.
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There was a time when cell animation was poison, but after Family Guy now everyone wants it.
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The nice thing about animation is that you can realise your inventions without understanding all the hard theory.
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'The Critic' was so absurd, and I loved that. I loved working with Jon Lovitz, I think he's got a great, great voice for animation.
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As an actor, doing animation is definitely on the list of most actors because it is such a freeing, fun, different experience than being on camera. There's just something different about it that's not more fun, but a different sort of fun.
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I brought in the stories many times. I don't just do animation.
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I was a big comic, cartoon, animation nerd.
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If you ask anyone in animation, how long they've been into animation, they'll pretty much always tell you that it's since they can remember, and I'm no exception.
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Approximately 400 cuts - that would make 25 percent of the total - use CGI. I worked on the Steamboy's animation production based on the usual handwriting method. Digital animation is just supplementary. I didn't do anything surprising, because the idea is to overcome the limitation of expressions done by handwriting with the help of CGI.
