Lines Quotes
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[Kyle Chandler] taught me how to listen very well and reacting. There's a lot of improv. And to be able to do that on the spot you really have to be in tune with what the other person is saying instead of just waiting for your cue line or waiting for a word for you to deliver your next line.
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It's a very cheery thing to come into London by any of these lines which run high and allow you to look down upon the houses like this." I thought he was joking, for the view was sordid enough, but he soon explained himself. "Look at those big, isolated clumps of buildings rising up above the slates, like brick islands in a lead-coloured sea." "The board-schools." "Light-houses, my boy! Beacons of the future! Capsules with hundreds of bright little seeds in each, out of which will spring the wiser, better England of the future.
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It's possible to see the whole human growth movement of the 1970s as a wish to continue the inward quest without having to put yourself on the line in the way you had to when you took 250 gamma of LSD. And I think all these other methods are efficacious, but I think it's the sheer power of the hallucinogens that puts people off.
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From not the gravest of Divines, Accept for once some serious Lines.
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I think it was Tommy who told me, 'When your song is called 'XYZ' or whatever, every line has got to make sense against your title.' He showed me little methods of proving to yourself whether the line belongs, and ways of finding out whether you were able to get more out of a line if you tried.
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So, not only am I panicking over the weekend if I need to know my lines, but also if can I get the kids to the zoo. Can I even go to church? I was asking for certain things that would allow me to plan my life a little better.
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If I get two lines in the script, I somehow turn it into 20. I've got a bit of a bad habit of doing that, of just embellishing my little moment.
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When you write, you're supposed to go stand somewhere else for a while, see things from a perspective that's not in line with your own reflexive truths.
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Eventually I booked a 2-line role on a show called 'JAG' and slowly the parts got bigger and better. I'm very thankful that I had to appreciate how difficult the business is before I had any kind of success.
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The problem with putting it all on the line is that it might not work out. The problem with not putting it all on the line is that it will never (ever) change things for the better. Not much of a choice, I think.
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If you dedicate your attention to discipline in your life you become smarter while you are writing than while you are hanging out with your pals or in any other line of work.
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Robert De Niro taught me how to listen, and how to be part of the conversation. It's not just about reading your lines and saying what's in the script; you have to understand your character, along with the other characters so that you can always respond.
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The emergence of Casual Fridays has created a fine line of fashion ion dos and donts.
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I do tend to take lines from other lines I like, and then write around them.
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All of the films I have made, that I have chosen to make, are all about the thin line between good and evil. And also the thin line that exists in each and every one of us. That's what my films are about.
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Also, if you watch the film once, there are lots of things that you won't get because there are punch lines in the first act, the setup to which isn't until the second act.
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The whole idea of Mass Effect3 is resolving all of the biggest questions, about the Protheons and the Reapers, and being in the driver's seat to end the galaxy and all of these big plot lines, to decide what civilizations are going to live or die: All of these things are answered in Mass Effect 3.
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When the governing representatives of the people legalize the shedding of innocent blood (as a for-profit business, nonetheless) then they have placed themselves, and those they represent, in the direct line of God's judgment.
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I always know my lines.
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There is a very blurry line between the things we can't do and the things that we can.
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Great acting is about listening to what they are saying ....not waiting to deliver your lines.
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The least amount of info actors get, the better. Actors are always like, 'What is my motivation for this?' You didn't write it. Just say the lines.
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That's the beauty of starting lines: Until you begin a new venture, you never know what awaits you.
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Somewhere between sanity and madness lays a fine line, for some it is a tightrope walked daily, a fight for balance to be won or lost. That fight is lost one of two ways. Some simply lose their balance and fall, others are pushed.
