Lines Quotes
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He felt it too, the air between us, the invisible lines that something or someone had drawn to connect us. That's the way I remember it.
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I've forgotten lines all the time. Sometimes I switch verses in a song. It's just hard not to when you're doing the same thing all the time.
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If a news camera shows up, people will line up, they want to be seen. But at the same time they want both to be chosen and not singled out. I think that is an endless struggle within most.
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Your work isn't just to learn and say the lines. Your work is to figure out what the chatter in your brain is, that's going on under the lines. It doesn't matter whether you're speaking or not speaking because your mind is working the way your character's mind would work.
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I understand some of the people's impatience with the show last year. I think that Lisa's (Lili Taylor) story line (marrying Nate with minimal motivation in season three) became a little bit of a diversion - and that happens. It happens in every show.
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Two lines must meet at a point. Therefore there are only two surprises here.
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It's easier for me to act in Spanish, but as soon as I get the lines in English and I know them by heart, it becomes really easy. You don't have to worry about the language anymore. It just takes more time. In Spanish, I can learn lines in 10 minutes. In English, it's going to take an hour.
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I was 14 years old. I did an audition for extra work as an actor, with two lines. Suddenly I was auditioning for a bigger role, and then got a part on a Portuguese TV series at age 15. My whole life changed completely.
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One of the saddest lines in the world is, 'Oh come now - be realistic.' The best parts of this world were not fashioned by those who were realistic. They were fashioned by those who dared to look hard at their wishes and gave them horses to ride.
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I lack the skill to hold a story line for the length required for a novel or even a short story. I have never had an idea that could withstand a hundred thousand words, or even ten thousand words of rubber meeting the road.
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I have a very open line of communication with both my children.
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The toughest part is that when your kid's upset, you're upset. You're rocked until they're not upset. Even when they're not upset, you're like, "I hope that doesn't happen, down the line." You're always nervous because you want your kid to be happy.
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As impossible, in fact, as keeping the moon... So I looked down the line at all my friends, knowing I would always remember this. And then I turned my gaze back up to the sky, and put my faith in that moon and its return.
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Maybe Gary (Neville) deserves to be chased up a tunnel every now and then - there would be a queue for him, probably. But you have to draw a line eventually.
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Unfortunately when I start to talk or when someone watches over my shoulders my pencil either stops or I draw meaningless lines.
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You can't be at the pole and the equator at the same time. You must choose your own line, as I hope to do, and it will probably be color.
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The thing that is most important is to feel like you're at the front of the line, to be prime or primer. I definitely never wanted to say that in the films, but that's where it comes from.
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The bottom line is that Wanda Sykes has the longest continuously documented family tree of any African-American we have ever researched.
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That's the beauty of this great sport (track), though-it's such a fine line between success or not, which makes the sweet moments that much more worth savoring.
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It is strange how your understanding of a play changes. It normally happens after a performance and you suddenly think, 'So that's what that line really means' - it's like a light going on.
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I felt like an impostor, taking all that money for reciting ten or twelve lines of nonsense a day.
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My parents thought, 'Oh, my God! What's wrong with him? He's possessed or something.' All of a sudden, I stood up and started saying my lines. From then on, that was it. I knew there was something special about the theater for me, something beyond the regular reality, something that I could get into and transcend and become something other than myself.
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It's a very cheery thing to come into London by any of these lines which run high and allow you to look down upon the houses like this." I thought he was joking, for the view was sordid enough, but he soon explained himself. "Look at those big, isolated clumps of buildings rising up above the slates, like brick islands in a lead-coloured sea." "The board-schools." "Light-houses, my boy! Beacons of the future! Capsules with hundreds of bright little seeds in each, out of which will spring the wiser, better England of the future.
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I'm more interested in knowing my cues than my lines. If you know what your cues are, then you know what your reaction is going to be to them. Acting is about reacting, and if I can kind of purely react, that's easier for me.
