Critics Quotes
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The passive idler of all men in the world is the most difficult to please. Those who do the least themselves are always the severest critics upon the noble achievements of others.
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I think Good Charlotte has definitely always been for the underdogs and the misfits. We haven't ever really been the critics' darlings.
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I was in a Broadway musical called Big Time Buck Wright.The play didn't make it but I was a success. It lasted six days but I sung four songs and there were critics, seriously, in New York who said that my part was perfect. So I can beat Joe Frazier singing.
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My husband, who's the greatest actor in the world, can do anything. Look at what he did in The Critic and Oedipus. In every role he gets-he did this in Richard the Third-there's nothing he can't do, nothing. Just nothing.
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The critics. When they're right, they're right for the wrong reasons. And they're usually wrong.
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My play Safe Sex was picked apart because critics thought it was untrue. It was a play in which no one had AIDS, but the characters talked about how it was going to change their lives.
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There is a certain justice in criticism. The critic is like a midwife - a tyrannical midwife.
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You can't ever approach a book as a complete virgin, certainly not if you're a critic. There is a lot of bad faith out there. That's why I finally trained myself not to look at this stuff anymore, because it doesn't do me any good to see myself either praised or attacked.
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I DJ and I'm a harsh critic of DJs.
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All the world is competent to judge my pictures except those who are of my profession.
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I've learned not to attach personal feelings to critics who review your work. It's their opinions, their perceptions - it's a very subjective thing, and you can be hurt.
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The greatest influence came from the television and the proliferation of magazines that included contents on pop groups. I believe that at the end of the 1970s, like is happening now, pop and rock were practically separated in the eyes of the public and critics, who considered the first more frivolous and easy and the second more serious and prestigious.
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But then when I'm in a halfway successful movie, it irritates the hell out of the critics in New York, because they'd like to kill my pictures if they could. So maybe I'm pretty good in the movie. Then they use all these words like I'm 'surprisingly' good, or 'shockingly enough,' I'm good. It's like I crawled out from under a magazine and they're surprised I can act.
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Meryl Stripe spoke out about the low percentage of female critics on Rotten Tomatoes. Why are there 760 male critics and just 168 women? You are immediately biased on what kind of films you are being told to go see. What are you told are good films? Male films.
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It could've been made thirty years ago or forty-five years ago actually, or it could've been made last week. And, I think the level of our craft was such that we're appreciated, at leased by fans if not critics. Critics have never appreciated our band.
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What is a modern poet's fate? / To write his thoughts upon a slate; / The critic spits on what is done, / Gives it a wipe - and all is gone.
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There are two sorts of beauty; one is the result of instinct, the other of study. A combination of the two, with the resulting modifications, brings with it a very complicated richness, which the art critic ought to try to discover.
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If you beat someone with a good name, of course some people are going to say he's past his prime, he's washed up, or he shouldn't be fighting. You're always going to have critics. It doesn't matter what the outcome is, whether it be good or whether it be bad.
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The nearest approach to the infallible in literary judgment is represented in the colossal work of the teacher of all these three Edmund Gosse, Edward Dowden and George Saintsbury, the greatest critic that ever lived - not an Englishman, but a Frenchman, the wonderful Sainte-Beuve.
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I make my pictures for people, not for critics.
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A critic is someone who enters the battlefield after the war is over and shoots the wounded.
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What is WIND and what is BONE have never been conclusively determined by the generations of Chinese critics, but what is certain, according to Liu Hsieh, is that the perfect combination or balance of WIND and BONE, the metaphor for the ideal poem, is a bird.
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Women are the harshest critics of other women.
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Too often critics seem more intent on seeking new ways to alter Congress than to truly learn how it functions. They might well profit from the advice of Thomas Huxley, who said a century ago: Sit down before facts as a little child, be prepared to give up every preconceived notionor you shall learn nothing.
