Interviews Quotes
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Fortunately, I got called down to NASA for an interview. And one thing led to the next, and one day I got that call. I've been here about seven years now and am really enjoying it.
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You wanna know how you know you're informed as a protestor? They don't show your interview on TV.
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So it was doing all this research or going to the archives or doing all these interviews or traveling, and then trying as much as I can to delete all of that research in a later draft so that all the reader cares about is the characters.
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I always had a much softer approach to my interviews and promos. I was not so much that wrestler that was yelling at the screen; I was always the one that was talking to my fans.
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Some writers are more natural public performers than others; personally I find it quite strange giving interviews. But everyone has parts of their job that they like more than others. You can't complain if you get to do what you love doing most of the time, can you?
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I read an interview with Mark Wahlberg, and he was like, ‘I might read a script and love it, but it’s all about the filmmaker.’ I think that’s a good lesson for me.
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I've done interviews in one day that went on for fifteen, sixteen hours. And at a certain point, the control over what they're saying breaks down; it becomes different. It becomes really powerful, and for me, real. It becomes out of control.
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One of the best things about my job is that I get to meet a lot of great children's and YA authors at events all over the country. So I figured it might be fun to interview some of them and turn the interviews into short online comics.
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We gave interviews to radio. We did not give press interviews, or very few.
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When I happen to read interviews where people are such pros and they come out looking so good, it comes off as a little smug or something.
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I've learned that people latch onto labels and stereotypes. There was a period when I was asked in every single interview how I liked being the new Frank Sinatra... I think people will soon realize that I do a lot more than interpret old songs.
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I've done so many interviews over the years in so many different languages. Radios. Papers. Magazines. There's always another interview to do. It's quite something, I have to say.
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I think the interview form works best on the radio. There are a lot of personality traits conveyed in a person's voice, the rhythm of their speech or how confident they sound.
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I don't get nervous on a stage; I don't get nervous in interviews. I don't get nervous.
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We haven't really got to see that much of America because when we're touring there's always interviews to do or whatever, but the things I like most about America are the food -- nachos! -- and the roller coaster at Magic Mountain. The thing I liked least was the cold weather when we were there in February -- it's much better in summer.
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Over the last 20 years, everyone who interviews me feels compelled to ask at least one question about 'The Island of Dr. Moreau.'
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Starting with the highest-risk countries, and focusing on the route to Britain that is widely abused, student visas, we will increase the number of interviews to considerably more than 100,000, starting next financial year. From there, we will extend the interviewing programme further across all routes to Britain, wherever the evidence takes us.
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After all, the whole time you’re searching for a secretary, you don’t have a secretary. What’s more, you’re spending the day conducting interviews instead of getting your own work done.
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I look at old interviews and things and they say, 'What do you want to do when you grow up?' I say, 'I want to be a producer.' And I'm really fortunate that I was able to do it.
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I don't like doing interviews. There is always the problem of being misquoted or, what's even worse, of being quoted exactly.
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I don't really do Japanese interviews. I don't think there's much call for me in Japan.
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Your interviews or blog posts or whatever are less supplements to your novel than part of it. I'm not private, but I believe in literary form - I'll use my life as material for art (I don't know how not to do this) and I'll use art as a way of exploring that passage of life into art and vice versa, but that's not the same thing as thinking that any of the details of my life are interesting or relevant on their own.
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Interviews are written by someone else - the journalist makes the decision to add or take things away and I couldn't recognize my voice, or anything of myself in that.
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If I interview people, I would get to know many lives and experiences that I haven't been through myself.
