Dialogue Quotes
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I have enough money not to do pictures ever. I'm seventy years old. I don't want to get up at 6:30 in the morning and learn ten pages of dialogue to do with a bunch of creeps I don't like. It's gotta be fun for me.
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Dialogue has to show not only something about the speaker that is its own revelation, but also maybe something about the speaker that he doesn't know but the other character does know.
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I approach mastering a little differently than some of my peers: I spend a lot of time creating a dialogue with the artist and the producers and mixers to try and get what they really are looking for.
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Musicians have to do what they do and express it musically. All the blah blah blah will get lost in the dialogue.
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I am convinced that a multi-faceted dialogue between Russia and Egypt will continue to deepen and expand for the benefit of the peoples of our countries, for the sake of peace and stability in the Middle East and North Africa.
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By deepening the spiritual dialogue between the spiritual traditions of the various religions in a spirit of friendship, one begins to understand just what the classical terms of the various spiritual traditions really mean.
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There is no trick to writing a believable love story, a heartbreaking scene or real-sounding dialogue. All you need is to tell the truth. It’s always heartbreaking.
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Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.
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My dialogue coach said to do a Texas accent, you lean on the next word, and that was the clue to me.
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I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.
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I suppose you might call me the sophisticated type. I like to act with dialogue. Not with grunts.
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I'm terrible at story and structure, but I'm not so bad at writing dialogue.
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Nothing teaches you as much about writing dialogue as listening to it.
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The content of the dialogue with 'the Other' is a content that indicates that man's horizons are infinitely bright, that death is in fact, well, as Thomas Vaughn put it, 'the body is the placenta of the soul'
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I think sometimes younger people - not necessarily thinkers and intellectuals and the like, but people who are on social media and who are not as informed as journalists or professional thinkers - may get a bit, you know, impatient with the necessity of sustained thinking, sustained argumentation, sustained dialogue.
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My audience doesn't agree with me on everything, but I love my audience, because they're totally okay with us having a dialogue.
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It shouldn't take a constitutional crisis or an attack on the nation to create honest dialogue in the Senate.
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Obviously, it's some kind of freely commanded modality in the psyche with which we can have a relationship if we will but evolve a control language and a dialogue. And it remains mysterious.
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In live-action, writing, production and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.
