Dialogue Quotes
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When I decided to stop using quotation marks, it presented technical challenges: you have to conceive of dialogue differently and structure it differently for this to work. So I had a new problem, which makes writing interesting again.
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Most people are ready to take the dialogue forward. The only place where that is not the case is the administration.
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When you start off by telling those who disagree with you that they are not merely in error but in sin, how much of a dialogue do you expect?
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It is wrong to turn a man (a subject) into a thing (an object). By means of spiritual dialogue, the I-It relationship becomes an I-Thou relationship. God comes and goes in man's soul. And men come and go in each other's souls. Sometimes they come and go in each other's beds, too.
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I think sometimes younger people - not necessarily thinkers and intellectuals and the like, but people who are on social media and who are not as informed as journalists or professional thinkers - may get a bit, you know, impatient with the necessity of sustained thinking, sustained argumentation, sustained dialogue.
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Many of my all-time favorite movies are almost entirely verbal. The entire plot of My Dinner with Andre is “Wallace Shawn and Andre Gregory eat dinner.” The entire plot of Before Sunrise is “Ethan Hawke and Julie Delpy walk around Vienna.” But the dialogue takes us everywhere, and as Roger Ebert notes, of My Dinner with Andre, these films may be paradoxically among the most visually stimulating in the history of the cinema...
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My experience as a Jewish American has often been as a spectator of one-sided conversations, or more like monologues, about Israel, Jewish History, Jewish identity, etc. Although there are profound divisions amongst Jews on all of these topics there are not many opportunities for deep and thoughtful dialogue about them.
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Maybe because I began as a writer, I have a good ear for dialogue, and maybe being an English major - and that I also read a lot as a kid - if I hear somebody say something that I think's funny, or I find a situation or story, I'll try to work that into the movie.
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The writer I adore is Ivy Compton-Burnett.I couldn't get more than a few pages in when I first read her. In many ways, she is very clumsy and her plots are rubbish. But we don't read her for that. There are pages and pages of dialogue. What it requires is real effort and attention.
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I think what's really happening is that a dialogue opens up between the ego and these larger, more integrated parts of the psyche that are normally hidden from view.
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Nobody in this town writes dialogue that bad on purpose. Not unless they've got a hidden agenda…or maybe a contract with Universal.
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Screw the dialogue, let's wreck some cars...
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Outrage has no time for dialogue, and it won’t be distracted by nuance or even truth.
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I think being mediocre and in the middle would be the worst. It's more interesting to get strong reactions, and to have the mixture of people who get it and the people who don't get it. And to invite a dialogue.
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When I say that the acting is sort of like a normal acting experience, I'm just talking about the interacting in actual scenes, like doing dialogue.
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I'm terrible at story and structure, but I'm not so bad at writing dialogue.
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On every Bright Eyes record, there's some kind of sound collage that begins it. Some of them have dialogue, some don't. I like it because it can kind of slow down the attention span a bit. It's a way to draw you in to the rest of the record.
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You can skim those stage directions and go right to the dialogue. You can almost read the movie in the same amount of time it will take you to see the movie.
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Nothing teaches you as much about writing dialogue as listening to it.
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I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.
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Dialogue has to show not only something about the speaker that is its own revelation, but also maybe something about the speaker that he doesn't know but the other character does know.
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Literature is dialogue; responsiveness.
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It shouldn't take a constitutional crisis or an attack on the nation to create honest dialogue in the Senate.
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In my little imperfect way, what I'm trying to do is understand the world. As a filmmaker, you realize as you get older that each film is part of a dialogue you're having with yourself. That started when I was working in documentaries. And in a way, I've never deviated from it.