Dialogue Quotes
-
Dialogue that's distinctive, funny, peculiar, and specific is the main thing that makes me want to get involved with a film to begin with.
Terry Zwigoff
-
The good dialogue writer is the one who can give you the impression of real speech.
Joseph L. Mankiewicz
-
I think a commission set up to examine slavery and the consequences of it, would probably be a very fruitful, important dialogue for the United States to be involved in.
Bob Matsui
-
Stand-up is more of an organic process. An imagined dialogue with the audience.
Stewart Lee
-
I think “The Book of Mormon” has made that difference in its field. It changed the game. It’s something that 20 years from now people will still be talking about, hopefully. That’s my goal as an artist, as a creator, as a work for hire, is to choose projects that make people think, make people talk, and make people interested in having a dialogue.
Josh Gad
-
Hillary Clinton is got to make the case for herself that nobody else can make, and for voters to see somebody who looks more three-dimensional, that's not simply a caricature that had been sort of a part of the American dialogue for the last 25 years.
Amy Walter
-
Continuous present is all we have, and stream of consciousness - which in a novel is arguably just as artificial as the stilted dialogue that you get in most conventional novels. They're all stratagems to try to get closer to the texture of lived life.
Will Self
-
The problem with television isn't the number of horizontal scanning lines. It's the lines of dialogue spoken by the actors.
Bran Ferren
-
Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.
Richard Linklater
-
This film [Teknolust] in particular, showing the way in which having a sexual dialogue with someone can be something developing and changeable and maybe uncomfortable and complicated. Just complicated and human, no more and no less.
Tilda Swinton
-
First and foremost, note that Plato always wrote dialogues, and never attempted to produce a theoretical or scientific treatise. This is a big clue for me. From beginning to end, Plato was aware of the limits of theoretical and technical reasoning, and his dialogues are a massive exploration.
David Roochnik
-
I think it’s about communicating with a person in that moment. It’s the exchange, it’s the dialogue that you’re able to have with that person in that moment.
Jonathan Mannion
-
In fiction, I have a residual guilt when I focus on story over language or mood or whatever - the more "literary" things. In screenwriting, I don't have that guilt because story is the only thing. Character, dialogue, everything else - they feed into and drive story.
Nick Antosca
-
When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer.
Mike Figgis
-
For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together.
Hilary Mantel
-
Dialogue is used to reveal not what we want to say, but what we are trying to hide.
William Monahan