Movie Quotes
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I didn't know how to write a novel, so I sort of let it happen in waves. The only way I could write it was to think like scenes in a movie.
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A lot of people in the movie business don't have a point of reference for me; nobody really knows who I am.
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But it's much more exciting to make Die Hard. One of the reasons that I think that movie is so successful is it deals with those very important blue-collar relationship themes. But it's more visually beautiful to show things blowing up. It just gives you more on the screen.
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I guess I could say I'm an actor, which I am, but that sounds like I'm putting down being a movie star, which, let's face it, is what I've become to many people. For myself, I'm a guy who was very insecure from about age 14 until the day I hit my 30th birthday.
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I grew up in a town with no movie theater. TV was my only link to the outside world. Film wasn't such a big deal to me. It was TV. So much so, that when I meet TV stars now... Not my co-workers, but real TV stars, I get nervous. I freak out around them.
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After making several tragic movies in a row, I was looking to do a comedy, and one without cynicism.
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I had met a lady there by the name of Laura Ziffren.She heard that I got signed to Virgin and reached out to my management company. They needed a kid to sing that part in the movie, and she remembered me, and her people reached out to my people, and I went and auditioned, and I got the part [in Romeo + Juliet].
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They wanted to do a movie about the Backstreet Boys.
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We respect everybody's individual opinion, and we have so much respect for veterans. We're probably one of the biggest movie employer of veterans.
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The con movie is a little bit different where maybe we tell you what we're going to do but it never goes down the way you expect because there's so much double-crossing and cheats and lies going on along the whole way.
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I liked it because it was such a dangerous script and showed just what human beings are capable of. Here was a movie in which Morgan Freeman and Brad Pitt, who always win in every movie they ever do, simply don't win. I felt that was outrageous for a commercial movie.
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The world we live in is like a Benetton ad. It's changed, and we have to appeal to a broader audience. You want younger kids of every race to be able to see themselves in the movie.
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'Jaws' freed me to discover that a successful movie didn't make a damn bit of difference to my life.
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If you look at 'Gnomeo & Juliet,' the movie's message essentially says it doesn't matter if you're a 'red' or a 'blue': at the end of the day, parents should love their children and want what's best for them.
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One of my biggest personal holdings is Rotana. That company has a very dominant force in the Middle East. It has around 45% of all the movie industry and around 75% of all the music.
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I didn't even know my bra size until I made a movie.
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I recently had a few days off while shooting a movie in Budapest, so I took a cab from the set to the airport, looked at the departure board, and decided where I wanted to go right then and there. I spent four days in Rome and didn't tell anyone I was going.
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I'm used to the fact that the world views movie actors as personalities. I'm in the extremely fortunate position of making a living at something I'm passionate about. It's all about choices. By the nature of what I do, I make a choice. I invite them in.
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If you look at the Earth without architecture, it's sometimes a little bit unpleasant. So there is this basic human need to do shelter in the broadest sense of the word, whether it's a movie theater or a simple log cabin in the mountains. This is the core of architecture: To provide a space for human beings.
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When Broken Lizard writes a movie, we reject everything that doesn't have five guys as leads, so it needs to be cops or a basketball team; that's what we can do.
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Balancing my film career and my music will be something I'm just going to have to deal with, as it happens. I think I can balance it out; the choices will probably be pretty clear. If there's a movie I just have to do, I will work the music around it.
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A part of me is a liberal New Yorker involved in politics and certain attitudes about movies. I kind of lost my indie credibility over 'Mr. and Mrs. Smith.' I know I haven't lost it. I just have to go make an independent movie. I just have to do it. Just for me.
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It's a movie that bewilders some viewers and mesmerizes others. A man I met while we were exercising our dogs told me it was the greatest film he had ever seen, and one of my editors claims it's the closest any movie has ever come to photographing the inside of his mind.
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I heard about the movie business before I even knew what it was. So I surround myself now with people who are like, 'Can we not talk about movies for an hour?'
