Movie Quotes
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It's hard for me to talk about Dom right now because I am Dom right now. So it's a really strange exercise to try to reflect on something that I am at the moment. But I guarantee you that when I'm done with the movie and you ask me that question, I'll be able to give you something insightful.
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'Crash' is a movie about the racial tension that still exists in America. A lot of us pretend that we don't have preconceived notions and stereotypical ideals about each other, but we do. And we wanted to create a movie about people whose lives crash into each others' accidentally.
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I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.
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We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.
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It's hard to prep a movie in five days and shoot it in five days and cut it in barely any time. You don't get quite enough time to make the thing, let alone tell the story.
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It's not like every director in every movie is seeking me out by any means, there are a lot of things I'm not suited for, a lot of things I'm not interested in, and a lot of things that directors wouldn't be interested in me for.
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When you're doing a car chase movie, you're sitting in car waiting for places or grips or stuff for quite a while.
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Whenever I'm giving talks, I always ask people to think of the most obscure questions because I enjoy those the most. I always get the same questions: Why does Pickwick say "plock" and will there be a movie? I like the really obscure questions because there's so much in the books. There are tons and tons of references and I like when people get the little ones and ask me about them. It's good for the audience [and also] they realize there's more there.
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It's glamorous when a movie is released, but then you feel disconnected from it. Someone asked if it wouldn't be more glamorous for me being on Broadway rather than Off Broadway, but I thought, 'What's the difference?' The Orpheum is a smaller house, that's all. And there are no mikes, so you just talk louder.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again. I don't care what people think of me as a person, but I do care what people think of my work, and whether I'm investing enough into it.
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It's interesting, the things you learn when you're 21. I learned never to get tattoos in the middle of shooting a movie. Because if you're not Angelina Jolie or Megan Fox, they will fire you.
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There are so many different themes and characters and worlds within the movie, ... Lo and behold, we find that the editing of all those little strains in a movie can be really difficult. I didn't want to start cutting out characters wholesale and savaging the many different performances. Over time, showing the movie became the only way to figure out how it was all rhythmically working.
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The more followers you have, the more you can promote your movie. You know? It's all, like, a business thing.
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I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer.
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I love watching a good, freaky horror movie. I love it. It's one of my favorite things to do, to go and see at the cinema. Just to tune out and be freaked out.
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I've been identified with pink throughout my career, but I'm not as crazy about it as I've led people to believe. My favorite colors are actually neutrals—black and white—but then who thinks of a movie queen in black and white? Everything has to be in living color.
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Frank Capra, Hollywood's Horatio Alger, lights with more cinematic know-how and zeal than any other director to convince movie audiences that American life is exactly like the 'Saturday Evening Post' covers of Norman Rockwell. 'It's A Wonderful Life,' the latest example of Capracorn, shows his art at a hysterical pitch.
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Then we tried to come up with ideas for the sketches, and then, when we actually shot the movie, we really just sat down - never previewed the movie - we just really winged it.
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I really desperately want to write and direct my own movie.
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There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July of '92 to look at his version.
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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I knew Vincent Price from films - he was a big movie star - but the first time I met him was when we filmed 'The Oblong Box.'
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
