Movie Quotes
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When I was younger, there was the sex thing. That's par for the course.When you're a movie star, it went with it. It's a kind of rite of passage, socially.
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The real scares on CNN, etc. and the scares in a movie, like 'The Purge,' are totally different. One of the ways you can tell when someone, whether it's a film maker or executive or producer, wants to make a scary movie but doesn't understand that distinction is they'll want to recreate too much of what's on TV.
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Trust me: you make a movie about time travel, and you know for a fact humans will never travel through time. The paradoxes that come up just from trying to tell a story with time travel really illuminates the fact that it's impossible. It will never happen. We can barely get through a movie that involves time travel.
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Our platform is a one-stop shop, from marketing and promotion through to ticketing. But even in the early days, in 2006-07, when we were mostly carrying shortform video, we became the premier movie marketing platform.
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I finished 'Ice Age: Continental Drift' in 2012, and I'm living in my agent's guest bedroom in Los Angeles because you don't make a ton of money writing an animated film. The movie makes a billion dollars, and you make 'twelve cents.'
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I think the role of the Bond woman has changed so much over the years that it now doesn't follow a typical archetypical view. Before, it was very much a beautiful woman who didn't contribute much and who usually ended up getting killed or was arm candy for Bond. But now the women in a Bond movie have so much more to offer.
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If you're going to make a movie about a character who is a supervillain, it's fantastic to have a core sense of empathy for that character.
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Every time I start the next movie, it's as exciting as the first time.
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I think my favorite role was playing Sarah Baker in 'Cheaper by the Dozen 1.' It was my first movie, and I worked with amazing professionals who had such strong work ethics that I immediately learned how to work in this industry.
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It was also a new role for me as a writer, because I wanted to just be there to serve Sam. I recognized that this picture would be "a Sam Fuller movie," and I was just trying, in whatever way I could, to help him get what he wanted.
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I wanted to make these people real, not like they were in a painting. Like these are people who don't know they're in a period movie. Those concerns are incredibly immediate.
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I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer.
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I dream in color; it's always a movie and sometimes I'm in it, as myself.
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I think awards are good for the movie. They can bring a new audience to the movie. I've always claimed that things like that don't get you work. Work gets you work. That's my blue-collar, protestant work ethic.
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Making a big Hollywood film that really affects people is as hard as making a small movie on a credit card.
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When a sports movie really works, it gets you on all levels, because the stakes are high. It's black and white. It's win or lose.
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Younger audiences are into me because I did 'Stuart Little,' and that movie was a very big deal for kids. And in 'Angels in the Outfield,' a generation of kids learned about magic and angels. And then, of course, there are these two blond girls named Mary-Kate and Ashley Olsen, and I played their nanny on their TV show.
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That transition from child to adult actor is so incredibly elusive. The roles that were coming to me as a young adult were not that great, but I was taking them anyway to pay the rent. And the more bad roles in bad movies I took, the less anybody wanted me for a good role in a good movie.
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I love a real-life, movie moment in living color.
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Unless you have a long-running series, most actors just go job to job if you're lucky to keep working. You just do a movie or a play or a TV thing, and it's over at some point.
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No TV show in history, no movie ever made - nothing you can imagine as being written or filmed or performed can turn a normal human being into a Dexter.
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Scientists are not movie stars or politicians who will feel insulted if they are not showered with accolades. Scientists are not interested in accolades.
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I'd rather have one good scene in a movie by a great director than a small role in a mediocre movie.
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God bless McNally, it's got some fantastic stuff in it, but it's no easy task to make a movie out of.
