Movie Quotes
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The idea of a soulmate is beautiful and very romantic to talk about it in a movie or a song, but in reality, I find it scary.
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You don't get to know anybody in a movie until after it's over. You work less together in a film than you do onstage.
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A movie is about human beings, about humanity.
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The first movie I produced was a movie that Joel Schumacher wrote and directed called 'Amateur Night at the Dixie Bar and Grill.'
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Have you noticed the physical resemblance between Imran Khan and Gaddafi? If you were making a movie of the life of Gaddafi and you wanted a slightly better-looking version of Gaddafi, you might cast Imran Khan.
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'Chitty Chitty Bang Bang' was a movie that I repeatedly turned down. The movie's producer, Albert 'Cubby' Broccoli, known for his tight-fisted control of the James Bond movie franchise, desperately wanted to re-team Julie Andrews and me after the success we'd enjoyed with 'Mary Poppins.'
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You have to understand that I'm not just some guy who voices characters in animated movie and TV shows.
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It was also a new role for me as a writer, because I wanted to just be there to serve Sam. I recognized that this picture would be "a Sam Fuller movie," and I was just trying, in whatever way I could, to help him get what he wanted.
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I think the thing about acting and making music is that it's easy to do both. I'll shoot a movie for three months, and then I won't have to work for however long I want to. So, I can do a movie for a couple of months and then come and do music for a couple. But whatever's hot at the moment is what I'll gravitate toward.
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It's hard enough condensing 500 pages into a movie, and it would have been impossible to condense 800.
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It's fairly common to get something optioned but really rare to actually see it become a movie.
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In terms of the movie business, being in a 'Lord of the Rings' has given me more interesting options as work.
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I got into television, and I'm a television guy, so I've never really had a movie career.
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I think you have to have a sense of humor about every movie that you're doing. Your character needs to be relatable in a way that, even when you're doing the most bizarre things, sometimes a bit of tongue in cheek is necessary to keep up the believability of it.
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The last time I heard real screaming in the theatre was when I went to see a movie I did years ago, called 'Wait Until Dark.' Now, my mother was the least emotional person on the planet, but when I got killed in the movie, she stood up and screamed, 'That's my son!' At Radio City Music Hall in New York!
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Sometimes when you have a song, you listen to it and say, 'It's OK. It's music to drive to.' But then there are songs where you can actually hear it as a movie.
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I'm directing and writing the 'Big Stone Gap' movie.
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If you have a movie coming out, and people are talking about you, the amount of scripts will build.
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I began as a model, but that did not really hold my interest for too long! I believe I stood out from the parade of models trying to make it in Hollywood, which helped launch my career beyond the one-night-stand horror movie.
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ABBA: The Movie; I got a lot of grief for working on that.
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I'm a director because I directed a movie. And if I have any advice for people, it's, 'Go write something; go direct it. If that's what you have a desire to do, go do it. If the movie stinks, just put it on the shelf and try to do it again.'
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When we were doing a scene, lots of times we would collapse giggling, because it seemed so silly because it felt like we were doing a home movie at times.
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My goal is to make a movie that no one would sort of expect me to make.
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You can't, no matter what anyone says, build a movie around someone.
