Movie Quotes
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I'm not an American actor. I'm a French actor. I'll continue in France. If I could make another silent movie in America, I'd like to!
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It is surprising how many professional athletes, along with their families and friends, are gaga over movie and music stars, and the reverse is true with entertainers and sports stars.
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Films don't hold the answers I'm looking for... Would you not be so much more interested in finding out that Bigfoot existed than in watching a really good movie?
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'The Karate Kid' was just lightning in a bottle. The second movie is a very worthy sequel, because you got to explore the Okinawan culture and learned about Miyagi's life. The third, as is always the case, was made because the second one made a lot of money.
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'Easy Rider' was never a motorcycle movie to me. A lot of it was about politically what was going on in the country.
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Listen, I like great actors. You can be a movie star without being a great actor - this has been proved several times - and I like my casts to have great actors. Acting is more important to me than being a star.
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Listen, you make a big movie, you're going into the Coliseum, and people are going to give you the thumbs up or the thumbs down. And that's part of the game. It's part of the fun as well.
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I say I'm the best actor in America who's never done a movie.
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There is no difficult moment working together because when we start a new project, Dante starts to make all the sketches and I can see the vision of the movie and then I start my job.
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You don't get a chance to take a breath but when you do, you have some really good comedy moments that ease up on the tension that the movie is centered around which is Kim being kidnapped and her son and husband being kidnapped and the jeopardy that they're in.
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If you're a big Hollywood star, you make one movie a year at the most. I can make five in Europe.
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You've got to believe as a filmmaker that if a movie's good enough, it's going to survive; and if it's not, well, it won't.
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Very difficult to understand American audience, what they like, what they don't like. Some movie I like very much, it doesn't work. Some movie I don't like, it gets big box office. Very difficult.
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Hollywood, they make up these Latinos because they have a certain physical type or a certain name or whatever... It's not that easy. It's like me wanting to do a movie with an American actor, and I say, 'Hey listen, I have either Johnny Depp or Carrot Top.'
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Whether it's just walking down the street to try to go to a movie, go to dinner, something like that, there are always a few people that recognize you.
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I don't believe making a movie accessible means you have to dumb them down.
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I remembered watching the film from Alfred Hitchcock, 'Dial M for Murder,' and he shot almost all of that movie in one room. There was a genius in what Hitchcock did by manipulating things in that room so that you could see the distances between things like the tables and the vases because of how he used perspective.
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But I'm never gonna get to a point in my life where what it costs to shoot a movie is going to determine what it is. The limits of my imagination is the only thing that's gonna stop me.
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I think the movie industry is a hard industry, but it is not that hard to be allowed to do what you want if you work hard.
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When you're a guest star on a movie or a TV show, I always say it's like being invited to a family reunion, but it's not your family. So you don't belong - they're being nice to you, but you don't fit in completely; you don't know everybody's story. You don't have a history.
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First of all, just knowing people who grew up in the movie business at that time, no one had Mexican maids.
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'A Walk to Remember' was a huge movie for me. I thought Mandy Moore was the coolest thing that ever happened. And Shane West - man, did I have a crush on him.
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When there's a great horror movie, people are like, 'Horror's back!' And when there's a series of not so good ones, 'Horror's dead.' I think it's all about the quality. When there are one or two good horror movies in a row, people come out interested again.
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The whole city gives you the impression of impermanence. You have the feeling that one day someone is going to yell, "Cut! Strike it!" and then the stagehands will scurry out and remove the mountains, the movie-star homes, the Hollywood Bowl--everything.