Movie Quotes
-
In Europe, a great dancer might be on the same level as a movie star. In America, not so.
Patricia McBride
-
My priority is the script. Get me a good script, and I will sign the movie. I think I should leave the casting up to the experts!
Nargis Fakhri
-
I'm a child of the Disney Renaissance, so the new classics are near and dear. I suppose this is a legend more than a fairy tale, but 'Mulan' is easily my favorite. Not only is it a fun, action-packed, beautiful movie, but it's so important for young girls to have.
Victoria Aveyard
-
It's tough to make a movie about movies... We're all too close to it. But 'The Bad and the Beautiful' was very good.
Kirk Douglas
-
You want to be on your toes; You don't want to be in a Nic Cage movie and just have him blow by you as an actor.
Harold Perrineau
-
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios.
Vincent Cassel
-
It's funny, people don't think of 'Cloverfield' as being restrained because it's a handycam movie, but the only reason it's a handycam movie is because that was supposed to be the reality of the situation.
Matt Reeves
-
It's weird because every movie that I do is always a role that reminds me of a role that 'Pac would have done. And when 'Pac did 'Juice,' he was young - probably like 21, 22 - something like that. And that's my favorite actor. I know it might be weird to say, but he was talented on screen, and that's who I studied.
Shad Gregory Moss
-
I'm not a big movie-goer. I just feel like I'm watching work.
Jeffrey Donovan
-
Every time I do a movie, I think it's going to be a huge hit.
Billy Crudup
-
What you don't see is scarier than what you do. Categorization is always kind of arbitrary, but people have called 'Preservation' a 'psychological thriller.' To me, psychological thriller basically means 'a horror movie without the blood.'
Christopher Denham
-
We aren't upset when Paramount makes a $200 million movie that flops, but if a charity experiments with a $5 million fundraising event that fails, we call in the attorneys. So charities are petrified of trying bold new revenue-generating endeavors and can't develop the powerful learning curves the for-profit sector can.
Dan Pallotta