Movie Quotes
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If I was producing something, it wouldn't make sense to me to cast somebody because of who their father is because that doesn't put anyone in the seats in the theatre. I wouldn't go to a movie because that person's father is so and so.
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Somehow, someway, you get kind of labeled this guy who was in a Freddie Prinze Jr. movie too many. And Freddie Prinze Jr. - it's not his fault, either - it's just these are the things that happen. I'm not a George Clooney; I don't have a ton of opportunities.
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For a movie - any movie - to work, all the bread has to fall jelly side up; everything has to go right. You have to hit the zeitgeist.
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When you do well in a movie that's seen as really great, you're revitalized for six weeks.
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We shot ten minutes of the movie, and now we're looking for completion funds.
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I first saw Walter Hill's second film, 'The Driver,' as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. Given that this 1978 slice of neo-noir takes place almost entirely in the dark streets of a deserted downtown L.A., it's really a perfect midnight movie.
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This is the thing I have with awards: If awards would make your movie more pretty, I would really get super excited about it. But your movie's done. You get awards, you don't get awards... They don't make your movie more ugly or pretty.
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I've been a children's book editor, a nanny, a camp counselor, a barista, a research lab assistant, and a movie theater ticket-taker.
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I used to think that you could get to a level of success where the laws of the universe didn't apply. But they do. It's still life on life's terms, not on movie-star terms. I still have to work at relationships. I still have to work on my weight and some of my other demons.
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'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
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I have so much to grapple with, I don't think too much about me. People call it the "dance of a thousand egos" when you make a movie. If only I had time to worry when I was making a movie about what the hell I was doing. It's sort of a marathon every day. And then at the end of it, you beg the producers for five more marathons.
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The completely irreverent tone was the thing that won me over about the first 'Deadpool' movie.
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I don't know the figures, but Hollywood must buy 100 rights for every movie that actually gets made.
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Now, grosses are listed in the newspapers and on television like it's a sporting event. It's ridiculous, because when you're watching a movie, unless you're an investor in the movie or a stockholder in the studio, what do you care how much it's grossing or how much it cost or any of that stuff?
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People so far have been very fond of the Robert Altman movie, as I am, and when one things goes well it shines light on your other projects and now I seem to have a number of projects that are moving forward.
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Having your book turned into a movie is like seeing your oxen turned into bouillon cubes.
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I think one of the things that was a huge surprise to everyone with 'Silence of the Lambs' was that that was an Oscar-winning horror movie. It struck such a nerve with audiences that it was a very particular, special experience.
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There's an old Fred Astaire movie where the stage becomes bigger and deeper and more complex. Moments like that really did impact on me and influence me.
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My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
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And now it looks like I'm probably going to shoot a movie that I wrote. I got the money to do it, and I would star and all, because of being on Howard.
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I think it's impossible to get any movie made, let alone a character story. Even with big stars, which we had, there were challenges. But we got through it, and we're really happy that we made the movie. It's easier to make giant robot movies, but I'm not in that game.
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I want 'Dawn' to play like a cowboys and Indians movie.
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The dynamic is extremely similar to Gremlins and the hero is very similar, plus the small town atmosphere. It really is in a way the third Gremlins movie.
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I love the art of acting, so I don't care if I'm in a movie with 10 people, two people, or by myself. I just really enjoy it.
