Musician Quotes
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Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.
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I feel that, as a Puerto Rican and Latin American musician, a lot of the stuff that I write, even if I mean it or not, is gonna have some elements of that.
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The older I get, the more I realize I'm becoming people's role models and that's freaky to me. That's not what you intend to do when you set out to be a musician, to be a little 14-year-old's role model.
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Jeff Beck is my idol .. sometimes he finds notes that I just do not have on my guitar. Frank Zappa's another one .. I loved Frank Zappa ... I do think Van Halen reinvented the guitar ... he's an excellent musician, a shrewd guitarist and as a person he's wonderful.
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I don't think you can learn to be a complete musician. That has to come from within, and it entails a lot of sacrifice.
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I am really inspired by writers, and weirdly - respect music journalists, which I think makes me the exception amongst most musicians. I think it's a craft. I think it's been really neglected - sadly. I think about the days of the great legendary rock critics. Who's going to become that when magazines and newspapers don't pay anyone properly or don't seem to respect the history or research that is required?
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I once painted a concert singer and on the chestnut frame I carved the opening bars of Mendelssohn's Rest in the Lord. It was ornamental unobtrusive and to musicians I think it emphasized the expression of the face and pose of the figure.
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The ancient Britons lived and breathed in poetry: the expression may seem extravagant, but it is not so in reality; for, in their political maxims, preserved to our own times, they place the poet-musician beside the agriculturist and the artist, as one of the three pillars of social existence.
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I'm definitely musician and storyteller. But I always like to take an active role in things I care about socially and environmentally.
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I produce music as an apple tree produces apples.
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I have been a musician for a long time as you reminded me earlier, haha. I have a lot of influences and experiences. Every time I start to play it’s a total synthesis of everything I have ever heard or played. There are three musicians that have influenced me more than anyone else, Herbie Hancock, Frank Zappa and Jimi Hendrix
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My only concern about art collaborations is that I never thought of myself as an Artist. My tax forms say Musician/Songwriter.
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I am a composer first and foremost, and have always believed that being able to write memorable melodies is what sets musicians apart. My songs bring images to the listener's mind. The object is to transport my listeners to another place, some place sacred and spiritual that will make them glad they took the ride.
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The good thing about playing with other musicians is that it's much easier to make the translation to playing live. It's much more difficult if you're trying to take something you've overdubbed alone on stage. But again, there are some benefits.
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Music is always for the listener, but the first listener is always the musician
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I like the communication and trust that comes from a long-term relationship. When you really know people as musicians and as people, you feel you can really count on them. That frees you to take more chances and ... it takes the music to a higher level. It translates into a better product for audiences. There are two levels to these relationships. The first level is being with guys for the first few years, you're getting used to guys - he's got this to offer, he's got that to offer, I don't like this, I do like this. You both praise them and are critical as you get to know one another.
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I just like the company of beautiful women. I have a weakness in that department. And I suppose because I am fairly well off and a famous musician, I'm up for grabs. And that makes me an eligible bachelor in the press.
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My family were all musicians. I really wasn't interested in school or anything.
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As a musician, I look for certain things that stimulate me. And what I look for is something that's an evolution on a particular genre that I never heard before.
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For some musicians it becomes self-reflexive to think, "I have to write some of my kind of songs now."
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Even though I don't sing any more, singing was my first education in the arts, and it's clear to me that my training as a musician also shaped me as a writer.
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You take a sound, any sound, record it and then change it's nature by a multiplicity of operations. You record it at different speeds; you play it backwards; you add it to itself over and over again. You adjust filters, echoes, acoustic qualities…you produce a vast and subtle symphony. It's a sort of modern magic. We think there's something in it. Some musicians believe it may become an art form in its own right.
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I actually started as a singer in Brooklyn, and I lived in a community. To get out of the ghetto of my community, I was a musician.
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I prefer live musicians whenever possible. And I tailor the ensemble to what is appropriate for the film and the score I'm writing.
